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I find myself in total agreement, with one exception: Arnold has delivered quality in his projects outside of Bond.
However, being a director for hire, at times, you are a slave to the material (Green Lantern), whereas the composer can actually give gravitas to terrible material...
Oh definably, both men have done quality work outside of Bond; I simplified, and broadened my statement to reflect the argument of the detractors.
@talos7 , you've done great things in life, and seen some terrible things as well, but, hate to tell you this, you have the soul of a poet. In another life you were making music, or acting or directing-- weren't you, my man?
Lol, you’re too kind..... all were the dreams of my youth. ;)
I don't doubt that.
1. Gun Barrel*† / Bond Has Left The Building*† 3:13
2. Show Me The Money† 1:27
3. Come In 007, Your Time Is Up† 5:20
4. Balloon* 1:03
5. The World Is Not Enough 3:54 - Performed By Garbage
6. Dr. Warmflash* :30
7. Access Denied 1:34
8. M’s Confession 1:35
9. Welcome To Baku 1:42
10. Snow Business* 1:15
11. Ice Bandits 3:42
12. Out Of The Snow* / Stay With Me Please* 1:27
13. Casino Jazz* 2:12
14. Casino 2:56
15. Card Game* 1:27
16. Devil’s Breath* 2:08
17. Elektra’s Theme 2:06
18. Body Double 3:00
19. Welcome To Kazakhstan*† 1:32
20. Going Down - The Bunker (Extended Version)**† 8:50
21. Bond’s Bedroom Bombshell* :38
22. Pipeline† 4:16
23. Elektra Turns* / Renard’s Plutonium Gift* 1:38
24. Remember Pleasure (Extended Version)** 3:14
25. Caviar Factory (Extended Version)**† 6:03
26. Submarine Surfaces* / Renard Greets Nik* / M Clocks Locator* 1:52
27. Bomb* 2:30
28. Torture Queen 2:24
Total Disc 1 Time 73:58
Score Presentation Continued
1. I Never Miss 3:32
2. Submarine #1 4:11
3. Submarine #2** 6:26
4. Sub Gets It* :46
5. Christmas In Turkey 1:28
6. Orbis Non Sufficit*† 4:01
7. Only Myself To Blame 3:36 - Performed by Scott Walker
Total Score Time 97:58
8. Gun Barrel (Separate Elements)*† 1:14
9. Welcome To Baku (Film Version)** 1:42
10. Snow Business (Alternate)* 1:27
11. Elektra’s Theme (Alternate)* 2:05
12. Going Down - The Bunker 6:26
13. Pipeline (Full Mix)**† 4:15
14. Remember Pleasure 2:45
15. Caviar Factory† 6:01
16. Submarine 10:19
17. The World Is Not Enough (Demo)* 3:59 - Performed by David Arnold
18. Only Myself To Blame (Demo)* 2:56 - Performed by David Arnold
Total Additional Music 43:09
Total Disc 2 Time 67:40
* Previously unreleased
** Contains previously unreleased material
† Contains “James Bond Theme” written by Monty Norman
Records...La-La Land Records
Our 4th release this year is may be enough for Bond fans...for now...
This title goes on sale November 27, 2018 at 12 pm noon pst at www.lalalandrecords.com
LA-LA LAND RECORDS RELEASES EXPANDED AND REMASTERED “THE WORLD IS NOT ENOUGH” LIMITED EDITION SOUNDTRACK (2-CD SET).
COMPOSED BY DAVID ARNOLD
La-La Land Records, Universal Music Special Markets, EON Productions and Metro Goldwyn Mayer proudly present the remastered and expanded 2-CD re-issue release of the original motion picture score to the 1999 feature film THE WORLD IS NOT ENOUGH, starring Pierce Brosnan as James Bond 007, Sophie Marceau and Robert Carlyle, and directed by Michael Apted. Renowned composer David Arnold (QUANTUM OF SOLACE, CASINO ROYALE, DIE ANOTHER DAY, TOMORROW NEVER DIES) fashions a tremendous musical work -- his second in the James Bond canon. It’s an epic score that keeps breathless pace with James Bond himself, musically matching all of the film’s globe-spanning adventure, drama, romance and suspense with sophistication and excitement. As he began with TOMORROW NEVER DIES, Arnold continues to push the contemporary edge of the score, whilst honoring the series’ classic musical legacy.
Remastered and expanded, with previously unreleased music, this 2-CD deluxe presentation showcases Arnold’s score in stellar fashion. Among this re-issue’s unreleased treasures are two early song demos performed by the composer. The official title song, performed by Garbage, is also contained in this program. Produced by David Arnold and Neil S. Bulk, and mastered by Doug Schwartz, from original stereo digital tapes provided by MGM, this special release is limited to 5000 units and features exclusive, in-depth liner notes by writer Tim Greiving, which include new comments from the composer and famed Bond lyricist Don Black as well as director Apted. Dan Goldwasser’s sharp art design, based on the original US poster for the film, ties up this must-have release in precise and classy fashion.
THE WORLD IS NOT ENOUGH limited edition 2-CD set retails at $29.98 and is exclusively available at www.lalalandrecords.com, 007store.com, and other online soundtrack boutiques.
Fantastic. A must-have.
At the rate of one a year, I'm not sure I'll make it.
No doubt the small screen is more interesting than ever before. I actually prefer a limited series to films any day of the week (Bond an exception, of course). No wonder actors, composers and directors turn to producing content for Netflix, Amazon etc. It's close to a golden age for the small screen we're experiencing.
Sherlock is a big series too – especially in terms of popularity, so David Arnold is producing music for what is really one of the best gigs around. And he (along with Michael Price) has been doing great work on Sherlock since season one.
What's "Orbis Non Sufficit"? (as in the track, not the phrase :P )
The techno end titles.
Came to feel tremendously excited.
Okay, I like the DAD score, but I bought it less out of passion and more as an investment and endorsement of the idea of expanded Bond scores, but I have to say I love the TWINE score!
Random stuff that comes to mind reading the tracklist (geekness alert-- proceed with caution):
- Bond Has Left the Building-- great title!
- Show Me the Money and Come in 007, Your Time Is Up remain separate. I'll stick with my joined version!
- I was just listening to Balloon like two days ago and thinking it would be so lovely to hear it in high quality in an official release. And here it is! I love the music when Bond is rolling down the Millennium Dome, and that dramatic four-note horn phrase that brings the music to an end.
- Welcome to Baku (film version). Oh, yes! I prefer it without the female voice, so bring it on!
- Casino Jazz. Lovely. We need more lounge music in Bond these days.
- Sub Gets It. Nice! Also, amusing to notice a certain pattern in track names... Antonov Gets It, Moneypenny Gets It, Sub Gets It... Christmas Gets It, Jinx Gets It, Graves Gets It, Renard Gets It, Elektra Gets It, Balloon Gets It, etc. etc.
- Gun Barrel... that's not right. One word, please! Interested in the "separate elements". Maybe they stitched together several cues for the film and here they are presented separately from the rest of the bank scene music? Or maybe we are talking about isolated multitrack stems?
He is indeed. Looking forward to all those cues!
Might have to get that expanded score.
I prefer the theatrical version to that of the commercial version. Because it has more brasses and they're louder as heard in the opening titles.