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There are many Kubrick wannabes. Perhaps it's the film schools' fault
Yeah I think it's hard to say that Marvel films look good, whereas Jaws and Raiders and Lawrence of Arabia etc. all looked amazing. I think it just varies really, a certain amount have always looked good and a certain amount haven't. I think they've always tried to shoot things so they look nice, it is their job after all. But some are better than others, and styles come and go, and obviously cinematographers learn from what came before.
Hey, if you have to imitate, imitating the great is the way to go ;)
Fallout is a brilliant example of how effective the IMAX scenes are for a home viewing experience. The way the black bars just gradually open up into the IMAX framing is really cool and very cinema-like. I've seen it on other films (The Dark Knight Rises, for example) where there's just a sudden jump from black bars to no black bars.
People said there was a good transition in Final Reckoning but I missed it as it's kind of in your peripheral vision. I'm guessing maybe the bars expanded as the water level rose in the airlock or something?
They expanded as Ethan turned the wheel inside the airlock, which was quite clever!
He is a fantastic film maker. I am thrilled he is going to be doing it.
Kermode tried to get her to say a bit more but she very quickly changed the subject.
https://podfollow.com/kermode-on-film/view
Roughly 20 mins in.
At any rate it’ll probably be years before we get the full story of what happened.
I replied that that had to be in private, but this person doubted and couldn't remember.
Has anyone read something about it??
I've thought about that. Even if a somewhat meaningless credit, it'll be nice to see the "Broccoli" name somewhere in there.
Sounds like something someone made up to help them cope.
It will be interesting to see if they get an exec credit. As the co-owners of the character it seems possible.
The strongest connection I have is a friend of the Broccoli and Wilson family. I don’t know why this person would claim such a silly thing. At best it’s inaccurate. At worst they’re lying.
@Minion is right on the money and this person made up to cope with death of Bond. I’ll guess he’s projecting onto Broccoli what he wishes she’d say.
So silly.
Craig-Bond has been dead for coming on four years . Time to get over it.
yeah seems more likely
nttd is actually growing on me interesting enough im liking it more now that I understand what they were trying to get at.
You know what? For me too, in the sense that it never bothered me that they had killed Bond. The writing of some characters, namely Blofeld and the dynamic of Bond with Malory, and the daughter thing, these elements bother me more. Even today. Much more than Bond dying.
This is why I think Ralph Fiennes and Blofeld should come back. There is a chance that their portrayals could be better written. And knowing Villeneuve, he's going to possibly direct an ensemble piece. Like Sam Mendes, he might want to play around with Bond's biggest baddie.
Plus, as of now, Fiennes isn't attached to any long term franchises. He deserves a second chance.
Fiennes is the only one I’d like to see come back.
Amon Göth (Schindler's List):
Fiennes' portrayal of the cruel and sadistic SS officer Amon Göth is chilling and deeply disturbing. He received critical acclaim for his performance, which helped establish him as a prominent actor.
Lord Voldemort (Harry Potter series):
As the primary antagonist in the Harry Potter franchise, Voldemort is a powerful and evil wizard seeking to dominate the wizarding world. Fiennes' performance as Voldemort is characterized by his cold and menacing presence, and he is widely recognized for his portrayal of the character.
Francis Dolarhyde (Red Dragon):
Fiennes plays the complex and disturbed character of Francis Dolarhyde, a serial killer driven by a dark fantasy. His performance in Red Dragon is both unsettling and compelling.
Harry Waters (In Bruges):
Fiennes plays a hitman who is sent to Bruges to carry out a job, but the film explores themes of guilt and morality, making his character more nuanced than a simple villain.
Chef Julian Slowik (The Menu)
In the midst of the dinner, Fiennes' character, Chef Slowik, discloses that each person will die by the end of the night. Fiennes is able to hold a rather calm demeanor during the murders and brutal stabbings in this film. The sheer desire to see each individual die at his hands earns his role a top spot on the villainous scale.
Coriolanus
While his acting is often praised for its intensity and commitment, critics have noted issues with clarity and pacing, particularly in the delivery of Shakespearean dialogue. Some find his interpretation of the character to be overly angry and contemptuous, potentially losing some of the complexity and nuance of the original text.
Hades (Clash of the Titans)
The storyline naturally calls for a menacing villain, but Fiennes is able to deliver a truly cruel and unfeeling individual. From the cold, dead look in his eyes to the way he is able to ignite fear without raising his raspy voice, these subtle things are what separates a good actor from a great one.
Professor James Moriarty (Holmes & Watson)
Among the intentionally silly acting, Fiennes, playing Professor James Moriarty, is able to bring a darker air to his role as the villain. Though it is hard to take much seriously in this film, Fiennes is able to create a confident and intimidating character.
Ramses (The Prince of Egypt)
Understanding that he needed to portray a cruel ruler, he found a way to convey anger without yelling. By projecting his deep voice and enhancing a serious tone, Fiennes creates a rather frightening villain in this DreamWorks production.
I'm glad he did. It would have been a mistake.
Agreed, as bringing him back as M would be too, IMO.
Bond 1/26 should be all new creatives in producers, writers, directors and casts.
However, I’d try and bring back *some* of the Heads of Departments from the latter-EoN days (Production Designers/Art Directors, casting (alas, it seems this won’t happen), Hair and Make-Up, Costumes/Wardrobe, Sound, Post-Production), the unsung heroes who make a Bond film *feel* like a Bond film.
I think of all the cast from the previous era, Fiennes has the best chance to come back. I actually wouldn't be surprised. Whether or not it's a good idea is a different debate, but I must say I really like him as an actor.
That would have been a bit too The Prisoner for me, TBH.