SKYFALL: FANS' REACTIONS - GUARANTEED SPOILERS

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Comments

  • RC7RC7
    Posts: 10,512
    Tournier's work in MR is superb. I stuck the Blu-Ray on again the other day. You'd be hard pushed to find a more beautifully lensed Bond.
  • Posts: 11,189
    I keep sticking SF in the Blu Ray player. Some of the images really are incredible.
  • Posts: 11,425
    BAIN123 wrote:
    Well I just watched some of it on the 007 movie channel this morning. While it is somewhat "lively" the silliy/pastiche nature of it now looks very dated and Lois Chilles is very wooden as Goodhead at times. Moore is also at his most smug and "Moore-like" here (in Spy he was more restrained).

    For the record I don't think SF is "dreary and depressing" despite its sombre, bittersweet scenes. The film ultimately ends on a positive note regardless of the death of a hugely significant character. They even manage to relieve the depressing nature of M's death a minute later by having her leave the model bulldog to Bond (a moment I always found quite sweet and funny).

    I'm not really interested in defending MR to be honest. All I would say is that you know my views on SF and MR and I have no particular desire rewatch either of them.
  • RC7 wrote:
    You'd be hard pushed to find a more beautifully lensed Bond.

    I think OHMSS beats it there. Some of the shots of the mountains are just brilliant.

    I'd say the best movies visually are OHMSS, Spy, MR and SF.
  • edited February 2013 Posts: 174
    @Getafix
    You stated -"That's not to say MR's a 'better film' - just that there is IMO more in it to value and that is of interest to a Bond fan than a dreary and depressing film like SF".


    I couldn't have put it better myself. When it comes to Bond it is not always about the quality of the film but sometimes it is about the characters, humorous dialogue, Locations,gadgets and of course the accompanying music. MR imo has these in abundance while SF, like CR , is much more about the boom and the bang and the vroom and the woosh and other such things :))
  • Posts: 11,189
    That wasn't me that was @Getafix

    For my money SF has all the things you list and more.
  • Oops I have changed it :)
  • doubleoegodoubleoego #LightWork
    Posts: 11,139
    @Getafix
    You stated -"That's not to say MR's a 'better film' - just that there is IMO more in it to value and that is of interest to a Bond fan than a dreary and depressing film like SF".


    I couldn't have put it better myself. When it comes to Bond it is not always about the quality of the film but sometimes it is about the characters, humorous dialogue, Locations,gadgets and of course the accompanying music.

    So in other words, it's about tge quality of the whole film. Quite the contradiction there, mate. Secondly, I don't agree with your notion that Bond movies shouldn't always be about the quality. I find that to be a strange comment for any sane fan to make. I know I'd rather get film's like FRWL rather than the wanton outings of the likes of, MR and DAD.
  • edited February 2013 Posts: 11,425
    Of course you want quality film making, although what that means in the context of Bond is very subjective. My feeling is that I can perhaps objectively say that a film like OP is clearly not one of the great landmarks of cinema, but as a Bond film I really enjoy it. I much prefer it to a film like SF, even if on a technical level SF is better made. Bond movies are judged by different criteria to other films in my view, and by the criteria that I use, OP is a much better Bond movie than SF.

    In the same way I appreciate what they were trying to do with LTK but much prefer to watch TLD.

    I guess what I'm saying is that if I'm looking for 'quality cinema' I don't reach for my Bond collection. I go to the cinema a lot and have pretty broad tastes. I suppose my key criteria is that whatever I'm watching in whatever genre does what it does really well. I do expect certain things from a Bond movie and that isn't existential angst or art house cinema pretensions. That stuff is done way better, more convincingly and entertainingly elsewhere.
  • RC7RC7
    Posts: 10,512
    Getafix wrote:
    Of course you want quality film making, although what that means in the context of Bond is very subjective. My feeling is that I can perhaps objectively say that a film like OP is clearly not one of the great landmarks of cinema, but as a Bond film I really enjoy it. I much prefer it to a film like SF, even if on a technical level SF is better made. Bond movies are judged by different criteria to other films in my view, and by the criteria that I use, OP is a much better Bond movie than SF.

    In the same way I appreciate what they were trying to do with LTK but much prefer to watch TLD.

    I guess what I'm saying is that if I'm looking for 'quality cinema' I don't reach for my Bond collection. I go to the cinema a lot and have pretty broad tastes. I suppose my key criteria is that whatever I'm watching in whatever genre does what it does really well. I do expect certain things from a Bond movie and that isn't existential angst or art house cinema pretensions. That stuff is done way better, more convincingly and entertainingly elsewhere.

    A good post mate that will only make sense to people who watch a lot of films, and don't deem films such as SF and TDK as the absolute zenith of cinematic achievement. A few fans have certainly crawled up their own arse after SF.
  • hoppimikehoppimike Kent, UK
    Posts: 290
    RC7 wrote:
    Getafix wrote:
    Of course you want quality film making, although what that means in the context of Bond is very subjective. My feeling is that I can perhaps objectively say that a film like OP is clearly not one of the great landmarks of cinema, but as a Bond film I really enjoy it. I much prefer it to a film like SF, even if on a technical level SF is better made. Bond movies are judged by different criteria to other films in my view, and by the criteria that I use, OP is a much better Bond movie than SF.

    In the same way I appreciate what they were trying to do with LTK but much prefer to watch TLD.

    I guess what I'm saying is that if I'm looking for 'quality cinema' I don't reach for my Bond collection. I go to the cinema a lot and have pretty broad tastes. I suppose my key criteria is that whatever I'm watching in whatever genre does what it does really well. I do expect certain things from a Bond movie and that isn't existential angst or art house cinema pretensions. That stuff is done way better, more convincingly and entertainingly elsewhere.

    A good post mate that will only make sense to people who watch a lot of films, and don't deem films such as SF and TDK as the absolute zenith of cinematic achievement. A few fans have certainly crawled up their own arse after SF.

    hm, I suppose I see the points here, although I think Casino Royale for example is a phenomenal film by surely almost any measurement. I think that's really, really good cinema.

    Quality is just quality.. right?
  • RC7 wrote:
    A good post mate that will only make sense to people who watch a lot of films, and don't deem films such as SF and TDK as the absolute zenith of cinematic achievement.

    So almost nobody on this site then ;)
  • doubleoego wrote:
    @Getafix
    You stated -"That's not to say MR's a 'better film' - just that there is IMO more in it to value and that is of interest to a Bond fan than a dreary and depressing film like SF".


    I couldn't have put it better myself. When it comes to Bond it is not always about the quality of the film but sometimes it is about the characters, humorous dialogue, Locations,gadgets and of course the accompanying music.

    So in other words, it's about tge quality of the whole film. Quite the contradiction there, mate. Secondly, I don't agree with your notion that Bond movies shouldn't always be about the quality. I find that to be a strange comment for any sane fan to make. I know I'd rather get film's like FRWL rather than the wanton outings of the likes of, MR and DAD.


    No contradiction if you read my post clearly. I said it is not ALWAYS (key word) about the quality of the film. When I say quality I suppose I am talking about the realism and dark nature of SF and CR.
    Dont get me wrong I absolutely love FRWL as well, but you can't seriously say to me that FRWL is a typical Bond movie.
    That and DAF are the most unique in the series. FRWL is the most 'spy' orientated and DAF is the most 'Cooky'.
    My point is that MR is fun and SF isn't imo.
  • RC7RC7
    Posts: 10,512
    RC7 wrote:
    A good post mate that will only make sense to people who watch a lot of films, and don't deem films such as SF and TDK as the absolute zenith of cinematic achievement.

    So almost nobody on this site then ;)

    Ha ha.
  • SandySandy Somewhere in Europe
    edited February 2013 Posts: 4,012
    RC7 wrote:
    A good post mate that will only make sense to people who watch a lot of films, and don't deem films such as SF and TDK as the absolute zenith of cinematic achievement.

    So almost nobody on this site then ;)

    :))
    doubleoego wrote:
    @Getafix
    You stated -"That's not to say MR's a 'better film' - just that there is IMO more in it to value and that is of interest to a Bond fan than a dreary and depressing film like SF".


    I couldn't have put it better myself. When it comes to Bond it is not always about the quality of the film but sometimes it is about the characters, humorous dialogue, Locations,gadgets and of course the accompanying music.

    So in other words, it's about tge quality of the whole film. Quite the contradiction there, mate. Secondly, I don't agree with your notion that Bond movies shouldn't always be about the quality. I find that to be a strange comment for any sane fan to make. I know I'd rather get film's like FRWL rather than the wanton outings of the likes of, MR and DAD.


    No contradiction if you read my post clearly. I said it is not ALWAYS (key word) about the quality of the film. When I say quality I suppose I am talking about the realism and dark nature of SF and CR.
    Dont get me wrong I absolutely love FRWL as well, but you can't seriously say to me that FRWL is a typical Bond movie.
    That and DAF are the most unique in the series. FRWL is the most 'spy' orientated and DAF is the most 'Cooky'.
    My point is that MR is fun and SF isn't imo.

    It isn't fun for you but it is for me! And FRWL is the best Bond film ever and the standard against which every Bond film should be measured in my opinion. For me to put FRWL in the same bowl as DAF is just... odd.
  • Posts: 1,497
    doubleoego wrote:
    Didn't Silva tell Bond he was already working for mi6 from '86 to '87?

    Was it then? I thought he said '96 to '97... I could be wrong
  • edited February 2013 Posts: 174
    @Sandy
    I didn't put DAF and FRWL in 'the same bowl'.
    I said they are the most unique, for different reasons.
    To use your bowl reference, DAF and FRWL would be in different bowls on there own due to their uniqueness.

    You may think that FRWL should be the standard by which all bonds are measured, However I would disagree and say GF.
  • RC7RC7
    edited February 2013 Posts: 10,512
    JBFan626 wrote:
    doubleoego wrote:
    Didn't Silva tell Bond he was already working for mi6 from '86 to '87?

    Was it then? I thought he said '96 to '97... I could be wrong

    86-97, coinciding with the handover of HK to the Chinese.
  • Posts: 1,497
    Random SF question: was it ever confirmed that Peter Morgan's original 'hook' was used in the final story? If so, was it
    the death of M?

  • RC7RC7
    Posts: 10,512
    JBFan626 wrote:
    Random SF question: was it ever confirmed that Peter Morgan's original 'hook' was used in the final story? If so, was it
    the death of M?

    It seems so. Although I find it odd as P&W had it in the original QoS script, and in screenwriting terns, calling that a hook seems to be overstating the case IMO. I struggle to believe this was his contribution.

  • Posts: 11,425
    hoppimike wrote:
    RC7 wrote:
    Getafix wrote:
    Of course you want quality film making, although what that means in the context of Bond is very subjective. My feeling is that I can perhaps objectively say that a film like OP is clearly not one of the great landmarks of cinema, but as a Bond film I really enjoy it. I much prefer it to a film like SF, even if on a technical level SF is better made. Bond movies are judged by different criteria to other films in my view, and by the criteria that I use, OP is a much better Bond movie than SF.

    In the same way I appreciate what they were trying to do with LTK but much prefer to watch TLD.

    I guess what I'm saying is that if I'm looking for 'quality cinema' I don't reach for my Bond collection. I go to the cinema a lot and have pretty broad tastes. I suppose my key criteria is that whatever I'm watching in whatever genre does what it does really well. I do expect certain things from a Bond movie and that isn't existential angst or art house cinema pretensions. That stuff is done way better, more convincingly and entertainingly elsewhere.

    A good post mate that will only make sense to people who watch a lot of films, and don't deem films such as SF and TDK as the absolute zenith of cinematic achievement. A few fans have certainly crawled up their own arse after SF.

    hm, I suppose I see the points here, although I think Casino Royale for example is a phenomenal film by surely almost any measurement. I think that's really, really good cinema.

    Quality is just quality.. right?

    Your right on one level, but the problem is, what is 'quality'? A lot of people are saying that the SF script is not just good, but excellent, whereas I feel it's a mediocre story with a few good bits of dialogue provided by Logan. IMO, if you compare it to Maibaum's best screenplays then SF is very weak indeed. For me that is one area where SF is clearly not a 'quality' film. I'd add the music to that as well, as I thought Newman's effort was generic and dull. However, as with the script, there are plenty of people on here saying Newman did an amazing, Oscar-worthy job, which when you think that Barry never even got a nomination, is hilarious.

    So, what is quality? What do you say to people who think Jack Vettriano is a great artist, or that Les Mis is the greatest musical of all time? Are they wrong? I might disagree with them but these things are incredibly, inexplicably popular, and for many people they are they represent the pinnacle of their respective art forms.

    I was looking at the 10 highest grossing films of all time earlier (of which SF is now one) and I don't think I would personally consider any of them particularly good. But try telling that to the people who cried at Titanic or love Harry Potter. So, what is quality?
  • doubleoegodoubleoego #LightWork
    Posts: 11,139
    doubleoego wrote:
    @Getafix
    You stated -"That's not to say MR's a 'better film' - just that there is IMO more in it to value and that is of interest to a Bond fan than a dreary and depressing film like SF".


    I couldn't have put it better myself. When it comes to Bond it is not always about the quality of the film but sometimes it is about the characters, humorous dialogue, Locations,gadgets and of course the accompanying music.

    So in other words, it's about tge quality of the whole film. Quite the contradiction there, mate. Secondly, I don't agree with your notion that Bond movies shouldn't always be about the quality. I find that to be a strange comment for any sane fan to make. I know I'd rather get film's like FRWL rather than the wanton outings of the likes of, MR and DAD.


    No contradiction if you read my post clearly. I said it is not ALWAYS (key word) about the quality of the film. When I say quality I suppose I am talking about the realism and dark nature of SF and CR.
    Dont get me wrong I absolutely love FRWL as well, but you can't seriously say to me that FRWL is a typical Bond movie.
    That and DAF are the most unique in the series. FRWL is the most 'spy' orientated and DAF is the most 'Cooky'.
    My point is that MR is fun and SF isn't imo.

    I agree with you that FRWL isn't a typical Bond film and that's because Bond movies are largely bloated blockbuster movies that are although fun but flat out silly. For every FRWL quality style Bond movie, there are about 4 or 5 subpar entries imo of course. I'm all for epic escapism but film's like MR take it to the extreme and just hurts the series imo. Films like TB get such balance right. As for film's like CR and SF I find them fun and exciting and far more interesting and entertaining than the likes of MR because for starters I feel that they demonstrate a level of credibility that movies like MR do not. On top of that, film's like CR and SF appeal and attract a wider audience whereas i feel films like MR, although obviously a Bond film it feels too niche to me as, a "typical" Bond film, which is why your average joe doesn't ordinarily expect good quality Bond movies. Before CR, Bond films IMO were widely regarded as traditional fun films that were generally 1 dimensional and lacked any real depth. I'm not saying CR or SF are the apex of cinematic quality but I prefer these type of film's over the likes of MR. It's a matter of taste at the end of the day and we all have our preference.
  • Posts: 1,407
    RC7 wrote:
    JBFan626 wrote:
    Random SF question: was it ever confirmed that Peter Morgan's original 'hook' was used in the final story? If so, was it
    the death of M?

    It seems so. Although I find it odd as P&W had it in the original QoS script, and in screenwriting terns, calling that a hook seems to be overstating the case IMO. I struggle to believe this was his contribution.

    Mendes has gone on record saying that all of Morgan's ideas were abandoned when he left and Logan came on. I can only assume he was talking about the death of M which Mendes and Purvis and Wade have said was an idea from the beginning so I'm sure Morgan took credit for that as his "hook"
  • edited February 2013 Posts: 174
    doubleoego wrote:
    doubleoego wrote:
    @Getafix
    You stated -"That's not to say MR's a 'better film' - just that there is IMO more in it to value and that is of interest to a Bond fan than a dreary and depressing film like SF".


    I couldn't have put it better myself. When it comes to Bond it is not always about the quality of the film but sometimes it is about the characters, humorous dialogue, Locations,gadgets and of course the accompanying music.

    So in other words, it's about tge quality of the whole film. Quite the contradiction there, mate. Secondly, I don't agree with your notion that Bond movies shouldn't always be about the quality. I find that to be a strange comment for any sane fan to make. I know I'd rather get film's like FRWL rather than the wanton outings of the likes of, MR and DAD.


    No contradiction if you read my post clearly. I said it is not ALWAYS (key word) about the quality of the film. When I say quality I suppose I am talking about the realism and dark nature of SF and CR.
    Dont get me wrong I absolutely love FRWL as well, but you can't seriously say to me that FRWL is a typical Bond movie.
    That and DAF are the most unique in the series. FRWL is the most 'spy' orientated and DAF is the most 'Cooky'.
    My point is that MR is fun and SF isn't imo.

    I agree with you that FRWL isn't a typical Bond film and that's because Bond movies are largely bloated blockbuster movies that are although fun but flat out silly. For every FRWL quality style Bond movie, there are about 4 or 5 subpar entries imo of course. I'm all for epic escapism but film's like MR take it to the extreme and just hurts the series imo. Films like TB get such balance right. As for film's like CR and SF I find them fun and exciting and far more interesting and entertaining than the likes of MR because for starters I feel that they demonstrate a level of credibility that movies like MR do not. On top of that, film's like CR and SF appeal and attract a wider audience whereas i feel films like MR, although obviously a Bond film it feels too niche to me as, a "typical" Bond film, which is why your average joe doesn't ordinarily expect good quality Bond movies. Before CR, Bond films IMO were widely regarded as traditional fun films that were generally 1 dimensional and lacked any real depth. I'm not saying CR or SF are the apex of cinematic quality but I prefer these type of film's over the likes of MR. It's a matter of taste at the end of the day and we all have our preference.


    Once again you have written a very well thought through post.
    You are clearly a knowledgeable Bond fan and I am sure you appreciate the differing opinions on the movies. After all if we all loved the same few bonds I doubt the series would have lasted as long as it has.
    Even though I didnt enjoy SF, long may it continue.

    Sorry bout dissing SF again but this is the SF thread after all :)

  • edited February 2013 Posts: 3,494
    Getafix wrote:
    MR better than SF? Absurd =))
    I don't think Getafix was actually saying that was he???

    If so, then his credibility is now shot totally to pieces. Comparing SF to Dalton's films is one thing, but comparing it to MR, he is now in hoppinmike territory.

    =))

    Actually Sir Henry, didn't you read where I say that TWINE and DAD are the pinnacle of movie making excellence and I love Sheriff Pepper - why didn't they use him more...and Halle Berry is greeat etc?

    No? Oh yeah, that's because I didn't say it, just as I never said MR is better than SF, although that ' a fun debate if you want to have it.

    You really need to stop making stuff up. You accused Hoppimike of saying he loves DAD (he said it was mediocre) and baronsamedi of being arrogant and rude when he's actually been the one on the receiving end.

    You need to lay off the weed for a day or two and actually pay a bit more attention to what people actually write instead of constantly making stuff up.


    First off, I made a blanket statement about SF vs MR since others here brought it up. I never attributed that directly to you or even the person who actually said it, it was simply a thought, so I'm afraid you've jumped to the wrong conclusion. My opinion is that SF is so much more Bondian and better that it isn't even worth my time to debate otherwise.

    Second, I recognized my confusion between who said what several posts ago and rectified that with an apology to the Baron. You must have not been reading too well either. I still think the "lace my boots" statement was arrogant even within the context of the argument he and Willy were having. So sue me for having an opinion. I'm sure Baron and Mike don't need you to defend them and seem more than capable of addressing a grievance.

    Third, you're out of line with your last remark. Dragging my personal mores into it is wrong of you, and you clearly have no idea what you are talking about when you make generalizations such as this. A stereotypical, uninformed accusation that overindulgence makes you stupid. In this case, I read too fast and simply made a human error that can happen to anyone. I hold down a responsible and respectable job where great attention to detail is required, and my children are well cared for at all times and want for nothing all things considered, so if you or the ranks of the misinformed were so right then I shouldn't or wouldn't be able to do these things.

    Finally, myself and several of my regular weed smoking buddies who I'm meeting up with later at Philly's finest cigar bar for a stogie and a few drinks, among them an early retired AT&T exec and a prominent lawyer, will all be enjoying a good laugh at your expense this evening. Thanks for the material ;) :P
  • RC7RC7
    Posts: 10,512
    among them an early retired AT&T exec and a prominent lawyer

    6401703g69.gif

  • doubleoegodoubleoego #LightWork
    Posts: 11,139
    doubleoego wrote:
    doubleoego wrote:
    @Getafix
    You stated -"That's not to say MR's a 'better film' - just that there is IMO more in it to value and that is of interest to a Bond fan than a dreary and depressing film like SF".


    I couldn't have put it better myself. When it comes to Bond it is not always about the quality of the film but sometimes it is about the characters, humorous dialogue, Locations,gadgets and of course the accompanying music.

    So in other words, it's about tge quality of the whole film. Quite the contradiction there, mate. Secondly, I don't agree with your notion that Bond movies shouldn't always be about the quality. I find that to be a strange comment for any sane fan to make. I know I'd rather get film's like FRWL rather than the wanton outings of the likes of, MR and DAD.


    No contradiction if you read my post clearly. I said it is not ALWAYS (key word) about the quality of the film. When I say quality I suppose I am talking about the realism and dark nature of SF and CR.
    Dont get me wrong I absolutely love FRWL as well, but you can't seriously say to me that FRWL is a typical Bond movie.
    That and DAF are the most unique in the series. FRWL is the most 'spy' orientated and DAF is the most 'Cooky'.
    My point is that MR is fun and SF isn't imo.

    I agree with you that FRWL isn't a typical Bond film and that's because Bond movies are largely bloated blockbuster movies that are although fun but flat out silly. For every FRWL quality style Bond movie, there are about 4 or 5 subpar entries imo of course. I'm all for epic escapism but film's like MR take it to the extreme and just hurts the series imo. Films like TB get such balance right. As for film's like CR and SF I find them fun and exciting and far more interesting and entertaining than the likes of MR because for starters I feel that they demonstrate a level of credibility that movies like MR do not. On top of that, film's like CR and SF appeal and attract a wider audience whereas i feel films like MR, although obviously a Bond film it feels too niche to me as, a "typical" Bond film, which is why your average joe doesn't ordinarily expect good quality Bond movies. Before CR, Bond films IMO were widely regarded as traditional fun films that were generally 1 dimensional and lacked any real depth. I'm not saying CR or SF are the apex of cinematic quality but I prefer these type of film's over the likes of MR. It's a matter of taste at the end of the day and we all have our preference.


    Once again you have written a very well thought through post.
    You are clearly a knowledgeable Bond fan and I am sure you appreciate the differing opinions on the movies. After all if we all loved the same few bonds I doubt the series would have lasted as long as it has.
    Even though I didnt enjoy SF, long may it continue.

    Sorry bout dissing SF again but this is the SF thread after all :)

    Thanks. Honestly don't apologise for dissing SF. It's not your cup of tea and you have every right to convey your dislike for it. I appreciate your constructive criticisms and respect your opinions on the movie. I enjoy SF a great deal but IMO it could have been much better and like some others have mentioned, I feel SF relied too much on thematic elements, which to some degree impeded and created limitations on what could have resulted in a better plot. I also think China was underutilised as well as Silva's island, I was left slightly underwhelmed by various other parts of the movie. SF's great but very far from perfect.

    Once again you were spot on about the films in that, they are indeed different and it's those differences that keeps the series unique, interesting and never stale. We all have our preferences but sometimes we're in the mood for something different. I love CR and SF but I'd blow my brains out if all 23 movies were made in that style. Sometimes one just wants a fun and relaxed outing that's not so "heavy" for a change of pace and I'm glad we have the option to throw on TMWTGG, OP or LALD (3 of my favourite Moore outings)to get it.
  • edited February 2013 Posts: 3,494
    @ RC7- Oh yes I did :)

    I'm actually more amused by the recent Instagram picture of Miley Cyrus behind a cloud of pot smoke, which she didn't go out of her way to exactly deny. Now I know why her nickname is "Smiley". This will be definitely be fodder for conversation later, as we all support legalization and feel alcohol causes far more damage for a legal product.

    I'm guessing Disney is rushing to cancel future reruns of "Hannah Montana" as we speak =))
  • chrisisallchrisisall Brosnan Defender Of The Realm
    Posts: 17,691
    I thought parts of CR were poorly written, but it was directed by a master that made most of it work well. Parts of QOS weren't written at all, but Dan & the director made one helluva stab at greatness, and partially succeeded.
    SF OTHH was poorly written (except for dialogue), and directed well, but not expertly as a Bond movie. So while I still like it, it ranks lower than CR, and much lower than QOS for me. Sort of in FYEO territory.
  • Posts: 11,425
    Getafix wrote:
    MR better than SF? Absurd =))
    I don't think Getafix was actually saying that was he???

    If so, then his credibility is now shot totally to pieces. Comparing SF to Dalton's films is one thing, but comparing it to MR, he is now in hoppinmike territory.

    =))

    Actually Sir Henry, didn't you read where I say that TWINE and DAD are the pinnacle of movie making excellence and I love Sheriff Pepper - why didn't they use him more...and Halle Berry is greeat etc?

    No? Oh yeah, that's because I didn't say it, just as I never said MR is better than SF, although that ' a fun debate if you want to have it.

    You really need to stop making stuff up. You accused Hoppimike of saying he loves DAD (he said it was mediocre) and baronsamedi of being arrogant and rude when he's actually been the one on the receiving end.

    You need to lay off the weed for a day or two and actually pay a bit more attention to what people actually write instead of constantly making stuff up.


    First off, I made a blanket statement about SF vs MR since others here brought it up. I never attributed that directly to you or even the person who actually said it, it was simply a thought, so I'm afraid you've jumped to the wrong conclusion. My opinion is that SF is so much more Bondian and better that it isn't even worth my time to debate otherwise.

    Second, I recognized my confusion between who said what several posts ago and rectified that with an apology to the Baron. You must have not been reading too well either. I still think the "lace my boots" statement was arrogant even within the context of the argument he and Willy were having. So sue me for having an opinion. I'm sure Baron and Mike don't need you to defend them and seem more than capable of addressing a grievance.

    Third, you're out of line with your last remark. Dragging my personal mores into it is wrong of you, and you clearly have no idea what you are talking about when you make generalizations such as this. A stereotypical, uninformed accusation that overindulgence makes you stupid. In this case, I read too fast and simply made a human error that can happen to anyone. I hold down a responsible and respectable job where great attention to detail is required, and my children are well cared for at all times and want for nothing all things considered, so if you or the ranks of the misinformed were so right then I shouldn't or wouldn't be able to do these things.

    Finally, myself and several of my regular weed smoking buddies who I'm meeting up with later at Philly's finest cigar bar for a stogie and a few drinks, among them an early retired AT&T exec and a prominent lawyer, will all be enjoying a good laugh at your expense this evening. Thanks for the material ;) :P

    Chillax. The weed is making you hyper paranoid/defensive.
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