Hello everyone. Back from the dead, or rather, returning for a flying visit.
I confess, I've been staying off this site for the past month as my enthusiasm for Bond has dipped majorly since the Amazon deal. I simply have no desire to see a Bond movie made by a company owned by a Bond villain and I felt I had nothing positive or worthwhile to contribute. But that's not really the point. I've been reevaluating my feelings towards the series. I guess you could call it a crisis of faith (although I think that's a bit overdramatic).
Anyway. I came across this today while browsing:
I guess the reason why this stings a little is because, deep down, I wonder if the author is right.
I've never been under any illusion that Bond is high art, but it does make me wonder; is Bond's continuing popularity just a symptom of our culture being dumbed down and infantilised? I mean, is there anything more childish than a macho power fantasy about a guy who shoots two-dimensional bad guys and beds sexy women? Is it time we all just grew up?
I'm not trying to insult anyone. It's just something I've been mulling over in my head, especially as someone whose love of Bond contributed to forming my own aspirations of becoming a writer and filmmaker.
Anyway, sorry for such a long and pessimistic rant. I'll be interested to hear your thoughts.
Comments
Anyway, as for the rest, I think as long as Bond’s been around (including when Fleming wrote the books) there have been those types of criticisms. You can apply the same sort of ones to superhero films or action flicks. Not sure what more I can say to be honest - I think they do have validity and will always have something deeper in them to say about our world, even if they’re adventures about this masculine, vice fuelled character (albeit one who is rather selfless in his sense of duty/defeating the evils of the world) told through the format of big, escapist blockbusters.
I guess I can understand to some extent. I get a bit annoyed whenever I see some hack Andrew Tate type YouTuber using James Bond as this ideal to aspire to (the clothes, attitude, masculinity etc) without acknowledging the character’s deeper virtues/qualities. In reality if Mr. Bond existed in any incarnation I suspect he’d despise such people.
I think at the end of the day, Bond is pulp fiction; certainly when put up against the contemporary likes of LeCarre. It seems all of the Bonds from Goldeneye onwards deal with, in some regard, Bond's relevance in the modern world.
It's pulp that has become semi-serious, and there are complications that come along with that I think.
It's okay for it to be fun, and it's probably at it's best when it doesn't take itself too seriously. I couldn't see the screenshot in your OP but I think I got the gist.
The only thing keeping me interested in Bond 26 at this point is Denis Villeneuve. If amazon asks him to do anything too egregious, my hope is he'd drop out and I can more less be done with it. I have my own Bond projects to think about.