Controversial opinions about Bond films

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  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    edited January 2017 Posts: 1,243
    RC7 wrote: »
    acoppola wrote: »
    RC7 wrote: »
    acoppola wrote: »
    EoN desperately tried to convince the public Craig is some sort of new Connery.
    That failed completely so bringing back the DB5 over and over again is an obvious attempt to put some Connery aura around Craig.

    You hit the nail on the head. A weak attempt to sub-consciously tell the audience he is the new Connery.

    Hence adios Craig. For me, only Connery, Moore and Dalton were completely their own man..

    Excluding QOS, the Craig era fell into the Brosnan trap. He was also hailed as the new Connery.

    I've been one of the most vocal critics of the DB5 and its misuse in this era, but using it as a stick to beat Craig with is disingenuous. The positives of his era, and in particular his portrayal, far outweigh the negatives.

    As SP proves, his era. bit off more than it can chew. Had he stuck to the QOS characterisation, then I would feel differently.

    His era is all over the place. Connery in his first four films was more consistent .And one year between films, so less time to prepare. And smaller budgets that achieved a cinematic revolution.

    Variety is the spice of life, as they say. Craig has tried to do something different with each film - more commendable in my opinion than turning up and going through the motions. Whether people like his work is up for debate, but his dedication isn't.

    As for the films, there's a tonal shift from DN to FRWL and a dramatic one to GF. Same goes for Roger - a slight shift from LALD to TMWTGG then a dramatic one to TSLWM, so singling out Craig (again) is disingenuous.

    Variety is the spice of life and not repetition. My criticism of the Craig era is that it was supposed to be a total new approach for the series, and live within its own timeline.

    Yes, the Connery and Moore era had tonal shifts, but the characterisation of Bond does not change that much. You see a development.

    I will hand it to you that with SF they tried something radically different and it stands out like a sore thumb. But it is not a Bond film to me and the image of Bond, which is important, is more like an ordinary bloke.

    SF is the dividing line between the fans of the old school and fans of the new. SF ironically in trying to be so different, lost that magic that made Bond films such a joy.

    Craig is a very fine actor, but like Anthony Horowitz, the Bond author said, he is miscast as Bond and SF proved that to me in no uncertain terms.

    Watch this video of Craig

    And I rest my case why he is miscast as the handsome British agent.

    He looks like my car mechanic and that is the Bond of SF style.





  • bondjamesbondjames You were expecting someone else?
    edited January 2017 Posts: 23,883
    An argument can be made that he is better suited to the earlier rookie impulsive characterization than the more finessed and mature agent that he has tried to portray in the last two films.

    It would be nice to see him play the later version under another director though, to see if that changes things.
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    Posts: 1,243
    bondjames wrote: »
    An argument can be made that he is better suited to the earlier rookie impulsive characterization than the more finessed and mature agent that he has tried to portray in the last two films.

    It would be nice to see him play the later version under another director though, to see if that changes things.

    I agree @bondjames. Where the proverbial shit hit the fan was when they tried to make him into classic Bond.

    Unfortunately the Bond series is about superficial beauty and glamour. And that was ingrained in my childhood consciousness. Not my creation.

    For me, I have returned to my original archetypal preference. You can have a serious actor, but he has to have that internationally accepted handsomeness.

    And if we applied the same rules to Bond girls, by using ordinary looking women, then this forum would be awash with criticisms of how they are below expectation.





  • bondjamesbondjames You were expecting someone else?
    edited January 2017 Posts: 23,883
    acoppola wrote: »
    bondjames wrote: »
    An argument can be made that he is better suited to the earlier rookie impulsive characterization than the more finessed and mature agent that he has tried to portray in the last two films.

    It would be nice to see him play the later version under another director though, to see if that changes things.

    I agree @bondjames. Where the proverbial shit hit the fan was when they tried to make him into classic Bond.

    Unfortunately the Bond series is about superficial beauty and glamour. And that was ingrained in my childhood consciousness. Not my creation.

    For me, I have returned to my original archetypal preference. You can have a serious actor, but he has to have that internationally accepted handsomeness.

    And if we applied the same rules to Bond girls, by using ordinary looking women, then this forum would be awash with criticisms of how they are below expectation.
    He can never change the way he looks, but in the right hands and with a top notch script, he can certainly be very convincing as a suave spy (I'm thinking of the casino scenes in CR). I think it does really come down to the script and a director who understands how to subtly polish off Craig's underlying blunt force trauma persona.

    EDIT: He needs to be handled with precise care as he doesn't naturally come across as smooth imho.
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    edited January 2017 Posts: 1,243
    It's a thread about controversy and no appreciation thread.
    Countless stabs at SP and Brosnan are ok it seems, but Craig not?

    Brosnan and Craig, both, are just not up to the Quality Level that was ensured from Connery to Dalton in the acting department and Bondian Quality.

    That is going to stir the hornets nest with some. I would love to see the reaction of Cubby if Craig was presented to him as a serious contender for Bond : "He looks like a God-damned KGB agent!!!!"

    But I admit that the films between Connery and Dalton had the in-house team working on them and the link existed from the very first film Dr No . Broccoli would promote editors to direct, as they had a great understanding of the character. John Glen did a great job with Moore and Dalton. He found something new to explore with each actor. The pre-1995 teams were more like a family affair. The new films have lost that spirit.

    However, Brosnan at least had the prerequisite look Broccoli was looking for. Wasn't enough as history proved. Brosnan underestimated how hard a role Bond is!

    Image is just one aspect of it. But you have to know what you want to do with the role!

  • RC7RC7
    Posts: 10,512
    acoppola wrote: »
    Image is just one aspect of it. But you have to know what you want to do with the role!

    I give you...

    NEKfwCTMxSf3OM_1_a.jpg

  • Posts: 4,325
    I have a number of non-Bond fan friends who don't like PB as Bond because they perceive him as being too suave, too smooth. He seems to divide even non-Bond fans. But Criag does with my non-Bond fan friends as well. There are those that would never watch a Bond movie usually who have taken to his Bond and even bought his films on DVD/Blu Ray. And there are those who have avoided his films all together even though they'd happily sit through other Bond films. Horses for courses.
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    edited January 2017 Posts: 1,243
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    An argument can be made that he is better suited to the earlier rookie impulsive characterization than the more finessed and mature agent that he has tried to portray in the last two films.

    It would be nice to see him play the later version under another director though, to see if that changes things.

    I agree @bondjames. Where the proverbial shit hit the fan was when they tried to make him into classic Bond.

    Unfortunately the Bond series is about superficial beauty and glamour. And that was ingrained in my childhood consciousness. Not my creation.

    For me, I have returned to my original archetypal preference. You can have a serious actor, but he has to have that internationally accepted handsomeness.

    And if we applied the same rules to Bond girls, by using ordinary looking women, then this forum would be awash with criticisms of how they are below expectation.
    He can never change the way he looks, but in the right hands and with a top notch script, he can certainly be very convincing as a suave spy (I'm thinking of the casino scenes in CR). I think it does really come down to the script and a director who understands how to subtly polish off Craig's underlying blunt force trauma persona.

    EDIT: He needs to be handled with precise care as he doesn't naturally come across as smooth imho.

    I can respect your idea good sir. Have you ever seen Croupier with Clive Owen? The same director who did Get Carter with Caine and Flash Gordon with Dalton. Superb British film.

    I wish they had cast Owen. I would be in Bond heaven. He is a serious actor, with the roughness and the right look for Bond. There are 3 billion men in the world to choose from and Craig is Babs fantasy.

  • bondjamesbondjames You were expecting someone else?
    edited January 2017 Posts: 23,883
    In a strange way, a combination of Brosnan and Craig gives you Dalton or Connery.

    They initially went in one direction with an empty suit, and then arguably overcompensated with a thug in a suit. Some like the former, and others love the latter. Few admire both.

    @acoppola, yes, I've seen Croupier many years back. Great little film. I've been a fan of Owen's since I saw him in Chancer as a kid. He was excellent in that too. If you haven't seen The International, I highly recommend it.
  • Posts: 11,189
    @tanaka123. I can't help but think of Rog as the one who is often "too smooth".
  • Posts: 19,339
    Owen is very good in 'Children of Men' as well....
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    edited January 2017 Posts: 1,243
    bondjames wrote: »
    In a strange way, a combination of Brosnan and Craig gives you Dalton or Connery.

    They initially went in one direction with an empty suit, and then arguably overcompensated with a thug in a suit. Some like the former, and others love the latter. Few admire both.

    @acoppola, yes, I've seen Croupier many years back. Great little film. I've been a fan of Owen's since I saw him in Chancer as a kid. He was excellent in that too. If you haven't seen The International, I highly recommend it.

    The International is outstanding! Believe me, knowing Broccoli's tastes-Cubby that is-he would have hunted Owen down to take the part. Owen has that perfect mans man quality. He is just cool without trying.

    Also Owen does not pose as much like Craig. I feel with Craig like he is over-compensating. Connery, Moore or Dalton did not pose that they were tough or cool. Brosnan did with his over-exaggerated gun movements. Take for instance in SP, where Moneypenny visits Bond at his apartment. Craig sits on the chair like he is God's gift to women. And it achieves the opposite efffect.

    Craig worked too hard on his image, and it shows with his suits. The video I posted here a few post back proves that he spent too much time with Tom Ford. The old Bonds went to the Saville Row tailor, who took their measurements and that was it.




  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    Posts: 1,243
    RC7 wrote: »
    acoppola wrote: »
    Image is just one aspect of it. But you have to know what you want to do with the role!

    I give you...

    NEKfwCTMxSf3OM_1_a.jpg

    Vladimir Putin?

  • LordBrettSinclairLordBrettSinclair Greensleeves
    Posts: 167
    I teach mostly 18-20 year old guys.
    I often use Bond in my lecture and the young guys who have only seen Daniel Craig as Bond are always surprised to see Brosnan and Dalton and often notice how different they look in general to Craig.
    I think for the mainstream young audience it doesn't matter if Bond is tall dark haired handsome or medium height blonde and very muscular, they would accept Jason Statham as Bond. With time Bonds identity will be lost if next actor is again totally different to Mr Fleming's vision!
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    edited January 2017 Posts: 1,243
    I teach mostly 18-20 year old guys.
    I often use Bond in my lecture and the young guys who have only seen Daniel Craig as Bond are always surprised to see Brosnan and Dalton and often notice how different they look in general to Craig.
    I think for the mainstream young audience it doesn't matter if Bond is tall dark haired handsome or medium height blonde and very muscular, they would accept Jason Statham as Bond. With time Bonds identity will be lost if next actor is again totally different to Mr Fleming's vision!

    They would accept Jason Statham. I agree with the passage of time, Bond will be watered down to nothing like what Fleming intended.

    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!





  • bondjamesbondjames You were expecting someone else?
    edited January 2017 Posts: 23,883
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    Posts: 1,243
    bondjames wrote: »
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.

    I must say that with the excessive introspection, I choose to ignore the add ons. I will not use the Craig era explorations to redefine Connery, Moore or Dalton.



  • bondjamesbondjames You were expecting someone else?
    Posts: 23,883
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.

    I must say that with the excessive introspection, I choose to ignore the add ons. I will not use the Craig era explorations to redefine Connery, Moore or Dalton.
    Agreed. Me neither. I even choose to ignore the SP retcon when watching SF, like some others here.

    The Smith song lyrics (if sung from Bond's perspective) and delivery took things very close to the edge for me. Thankfully, there will always be another film and song.
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    Posts: 1,243
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.

    I must say that with the excessive introspection, I choose to ignore the add ons. I will not use the Craig era explorations to redefine Connery, Moore or Dalton.
    Agreed. Me neither. I even choose to ignore the SP retcon when watching SF, like some others here.

    The Smith song lyrics (if sung from Bond's perspective) and delivery took things very close to the edge for me. Thankfully, there will always be another film and song.

    Goodness me, I forgot about the song by Smith. It has that Walking In The Air from The Snowman vocal vibe.



  • RC7RC7
    Posts: 10,512
    stewart-lee-noose.jpg
  • bondjamesbondjames You were expecting someone else?
    edited January 2017 Posts: 23,883
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.

    I must say that with the excessive introspection, I choose to ignore the add ons. I will not use the Craig era explorations to redefine Connery, Moore or Dalton.
    Agreed. Me neither. I even choose to ignore the SP retcon when watching SF, like some others here.

    The Smith song lyrics (if sung from Bond's perspective) and delivery took things very close to the edge for me. Thankfully, there will always be another film and song.

    Goodness me, I forgot about the song by Smith. It has that Walking In The Air from The Snowman vocal vibe.
    Your points about the gradual changes to the character to move with the times are valid. The question is will there be a limit to this or will Bond eventually be essentially unrecognizable from the original iteration? A lot of his habits & character tics are somewhat passe. What should be kept and what can be relinquished? I was not happy with the subtle re-imagining of the character during the 90's, loved the way he was re-evaluated for 2006 & 2008, but have been somewhat wary since.

    I recall Martin Campbell commenting on how they agonized about the Vesper final few acts in CR, and how far they could push it, so they are aware that there are limits.
  • NicNacNicNac Administrator, Moderator
    Posts: 7,570
    acoppola wrote: »
    I never heard about a single person who went to see SF because it came out 50 years after Dr No, or because they had seen Craig during the Olympics.

    This silly argument gets repeated ad nauseam.

    Essentially you are saying publicity, and in the case of SF the free publicity with the Queen for The Olympics, which was broadcast worldwide, as the Olympics were held in the United Kingdom, had no bearing? It was obviously a phenomenal opportunity to promote Bond as a British brand.

    It would be like saying that having the World Cup in the UK would not boost the country's economy.

    Even the Prime Minister at the time, David Cameron, said at the time that "Bond is Britain!".

    If that was the case, then film studios would not sometimes spend $100 million on marketing and advertising.

    The Olympics short film with Bond and The Queen put the film in the public's consciousness way ahead of time. And then the added bonus of critics having an orgasm over Bond was the icing on the cake.

    But, as others have said, the film simply would not have done as well as it did if it were not for positive word of mouth.

    And $1 billion is not about UK takings. That's around the globe where sentimental love for Britain simply can't be relied on. Does a nice speech by David Cameron about James Bond really guarantee good box office?

    Critical reception? So what? Plenty of films have been praised by critics and bombed at the box office. Bond films ride the wave of criticism anyway. His name alone guarantees success at the BO.

    And even if Skyfall was over-hyped, it's nothing compared to the 60s during Bondmania. Everything then was about Bond.

    It's ok for you to hate the film and not be able to watch it again after 4 viewings. We are all different. I find it one of the easiest to re-watch, more so than any other Craig film. But that's me, and it doesn't make me right either.

    But trying to explain away the success of the film by drawing on every possible reason apart from the film's quality, is a bit like those who try to explain why Licence To Kill faired (comparatively) poorly at the Box Office for every conceivable reason apart from the fact it simply wasn't very good. (my view point only btw)
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    edited January 2017 Posts: 1,243
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.

    I must say that with the excessive introspection, I choose to ignore the add ons. I will not use the Craig era explorations to redefine Connery, Moore or Dalton.
    Agreed. Me neither. I even choose to ignore the SP retcon when watching SF, like some others here.

    The Smith song lyrics (if sung from Bond's perspective) and delivery took things very close to the edge for me. Thankfully, there will always be another film and song.

    Goodness me, I forgot about the song by Smith. It has that Walking In The Air from The Snowman vocal vibe.
    Your points about the gradual changes to the character to move with the times are valid. The question is will there be a limit to this or will Bond eventually be essentially unrecognizable from the original iteration? A lot of his habits & character tics are somewhat passe. What should be kept and what can be relinquished? I was not happy with the subtle re-imagining of the character during the 90's, loved the way he was re-evaluated for 2006 & 2008, but have been somewhat wary since.

    I recall Martin Campbell commenting on how they agonized about the Vesper final few acts in CR, and how far they could push it, so they are aware that there are limits.

    I appreciate the question you also raise about the limits. Hollywood is not he same system it was in Cubby and Harry's days. Not that it was a utopia in the past. We are a more fragmented society with what makes one person happy, offends another. It is a confusing time for the creative industry that always has to approach timidly and over-calculate risks of offending. That kills spontaneity, the very thing that gave birth to classic cinema Bond.

    And sadly, I think they will continue to redefine Bond to not be accused of being non-PC. And with the proposed banning of certain classic literature because of racist words that were commonplace in the time of writing, I lament that there will be someone who starts a campaign to ban the books of Fleming. The novel To Kill A Mockingbird comes to mind. Someone has started a campaign with that one.

    On the above note, I see a time when the Fleming benchmark of the novels will be vanquished by Hollywood. Look at modern and divided America.

    This article underscores my observations of what is to come http://www.gq.com/story/why-i-quit-james-bond








  • bondjamesbondjames You were expecting someone else?
    edited January 2017 Posts: 23,883
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.

    I must say that with the excessive introspection, I choose to ignore the add ons. I will not use the Craig era explorations to redefine Connery, Moore or Dalton.
    Agreed. Me neither. I even choose to ignore the SP retcon when watching SF, like some others here.

    The Smith song lyrics (if sung from Bond's perspective) and delivery took things very close to the edge for me. Thankfully, there will always be another film and song.

    Goodness me, I forgot about the song by Smith. It has that Walking In The Air from The Snowman vocal vibe.
    Your points about the gradual changes to the character to move with the times are valid. The question is will there be a limit to this or will Bond eventually be essentially unrecognizable from the original iteration? A lot of his habits & character tics are somewhat passe. What should be kept and what can be relinquished? I was not happy with the subtle re-imagining of the character during the 90's, loved the way he was re-evaluated for 2006 & 2008, but have been somewhat wary since.

    I recall Martin Campbell commenting on how they agonized about the Vesper final few acts in CR, and how far they could push it, so they are aware that there are limits.

    I appreciate the question you also raise about the limits. Hollywood is not he same system it was in Cubby and Harry's days. Not that it was a utopia in the past. We are a more fragmented society with what makes one person happy, offends another. It is a confusing time for the creative industry that always has to approach timidly and over-calculate risks of offending. That kills spontaneity, the very thing that gave birth to classic cinema Bond.

    And sadly, I think they will continue to redefine Bond to not be accused of being non-PC. And with the proposed banning of certain classic literature because of racist words that were commonplace in the time of writing, I lament that there will be someone who starts a campaign to ban the books of Fleming. The novel To Kill A Mockingbird comes to mind. Someone has started a campaign with that one.

    On the above note, I see a time when the Fleming benchmark of the novels will be vanquished by Hollywood. Look at modern and divided America.
    Again, good points. I did not know about the campaign against To Kill A Mockingbird. That's sad.

    Part of what drew me to Bond in the first place was his anti-PC character traits. It's part of what makes the man interesting in comparison to his more sanitized contemporaries. A rebel without being a rebel, if that makes any sense. Independent of spirit. Hopefully Brexit and even Trump help to ensure that those anti-PC elements that are left today remain intact, or at least delay their deletion for a little while longer.

    As you note, we are more fragmented these days. Moreover, we have 50+ years of film character interpretation to draw from (and we all have our favourites) in addition to the novels. How to please everyone? Nearly impossible perhaps? Maybe we can never find an actor or interpretation that can satisfy the majority any more as a result, and some of us fans will have to take turns suffering quietly while a particular iteration and characterization is in play. In that case, maybe shorter Bond actor cycles should be encouraged, to shorten the pain.
  • RC7RC7
    Posts: 10,512
    All sounds very glass half empty to me.

  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    edited January 2017 Posts: 1,243
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    bondjames wrote: »
    acoppola wrote: »
    The way things are going and how they are adding in aspects that were never there before, perhaps in 30 years time we will have a Bond wrestling with his sexuality and how he wanted to be a girl. Not as far fetched when Blofeld is now his step-brother!
    If this ever happens, I'm out. I have to draw the line somewhere, and this perpetual navel gazing (perhaps this is fashionable with the young crowd these days) is tiresome.

    I must say that with the excessive introspection, I choose to ignore the add ons. I will not use the Craig era explorations to redefine Connery, Moore or Dalton.
    Agreed. Me neither. I even choose to ignore the SP retcon when watching SF, like some others here.

    The Smith song lyrics (if sung from Bond's perspective) and delivery took things very close to the edge for me. Thankfully, there will always be another film and song.

    Goodness me, I forgot about the song by Smith. It has that Walking In The Air from The Snowman vocal vibe.
    Your points about the gradual changes to the character to move with the times are valid. The question is will there be a limit to this or will Bond eventually be essentially unrecognizable from the original iteration? A lot of his habits & character tics are somewhat passe. What should be kept and what can be relinquished? I was not happy with the subtle re-imagining of the character during the 90's, loved the way he was re-evaluated for 2006 & 2008, but have been somewhat wary since.

    I recall Martin Campbell commenting on how they agonized about the Vesper final few acts in CR, and how far they could push it, so they are aware that there are limits.

    I appreciate the question you also raise about the limits. Hollywood is not he same system it was in Cubby and Harry's days. Not that it was a utopia in the past. We are a more fragmented society with what makes one person happy, offends another. It is a confusing time for the creative industry that always has to approach timidly and over-calculate risks of offending. That kills spontaneity, the very thing that gave birth to classic cinema Bond.

    And sadly, I think they will continue to redefine Bond to not be accused of being non-PC. And with the proposed banning of certain classic literature because of racist words that were commonplace in the time of writing, I lament that there will be someone who starts a campaign to ban the books of Fleming. The novel To Kill A Mockingbird comes to mind. Someone has started a campaign with that one.

    On the above note, I see a time when the Fleming benchmark of the novels will be vanquished by Hollywood. Look at modern and divided America.
    Again, good points. I did not know about the campaign against To Kill A Mockingbird. That's sad.

    Part of what drew me to Bond in the first place was his anti-PC character traits. It's part of what makes the man interesting in comparison to his more sanitized contemporaries. A rebel without being a rebel, if that makes any sense. Independent of spirit. Hopefully Brexit and even Trump help to ensure that those anti-PC elements that are left today remain intact, or at least delay their deletion for a little while longer.

    As you note, we are more fragmented these days. Moreover, we have 50+ years of film character interpretation to draw from (and we all have our favourites) in addition to the novels. How to please everyone? Nearly impossible perhaps? Maybe we can never find an actor or interpretation that can satisfy the majority any more as a result, and some of us fans will have to take turns suffering quietly while a particular iteration and characterization is in play. In that case, maybe shorter Bond actor cycles should be encouraged, to shorten the pain.

    Some fine points there. Some Bond fans refuse to accept that the film industry is changing. The film industry will go along with whatever fad is trending. You mentioned Trump, the Daniel Craig of politics in terms of initial unpopularity when he got the presidency.

    And on the above note, look at the climate in Hollywood where any actor/actress who supports Trump is sidelined. Hollywood is far more PC and politicised than in the past. We live in a culture of positive discrimination, where for instance the media were far more delicate on Obama, despite him starting more wars after receiving The Nobel Peace Prize. Intelligent political discourse is almost eliminated now. You can choose any colour as long as it is red. If you criticise Obama's policies you get labelled racist. But Trump is open season. How is that equality?

    I wish our society was less race focused, but it is sad that to get more clicks, there is race baiting. Very sad in 2017.



    Trump is certainly spectacular political theatre, and how he is going to take the USA by the proverbial balls. And this falsehood that he hates Latino's is a lie, which my wife initially believed by watching political spin in her country. I explained to my wife that her Colombian media want her to focus on Trump, to divert attention away from how her country is being robbed of its natural resources like oil, and yet is poor. She now sees it for what it is, and was happy Trump won.

    Any naturally, I have not said Trump is perfect. We will have to wait and see.

  • bondjamesbondjames You were expecting someone else?
    edited January 2017 Posts: 23,883
    He is definitely anti-PC, and Brexit is anti-PC as well (it's fashionable to be inclusive after all). Everyone loves to hate a villain in film & theatre though, and we are living in a world of political theatre as of tomorrow.

    Regarding Bond, I'm quite surprised to read comments that some younger casual fans don't rate Connery or haven't even watched his films. Imagine the growing action oriented Asian markets. I can bet many there won't be too enthralled with 'talky' FRWL.

    You're right that EON will follow the political and cultural trends to an extent. Bond is one of the most bankable franchises after all (perhaps only behind SW, and with Batman close on its tails) and money talks. MGM's possible future IPO could possibly make growing box office even more of an imperative going forward, which could lead to further watering down of the elements some of us like to appease the masses.

    EDIT: I was never happy with what I saw as a creeping Americanization of Bond during the Brosnan years (I consider an over-reliance on action as part of that). Bond is unique enough of a character that he can retain his essential Britishness while still embracing the global market. In fact, I think it's imperative that he does, as a cultural icon.
  • acoppolaacoppola London Ealing not far from where Bob Simmons lived
    Posts: 1,243
    bondjames wrote: »
    He is definitely anti-PC, and Brexit is anti-PC as well (it's fashionable to be inclusive after all). Everyone loves to hate a villain in film & theatre though, and we are living in a world of political theatre as of tomorrow.

    Regarding Bond, I'm quite surprised to read comments that some younger casual fans don't rate Connery or haven't even watched his films. Imagine the growing action oriented Asian markets. I can bet many there won't be too enthralled with 'talky' FRWL.

    You're right that EON will follow the political and cultural trends to an extent. Bond is one of the most bankable franchises after all (perhaps only behind SW, and with Batman close on its tails) and money talks. MGM's possible future IPO could possibly make growing box office even more of an imperative going forward, which could lead to further watering down of the elements some of us like to appease the masses.

    Well said sir! The video I supplied of Craig earlier today, underlines your point about the new generation not rating Connery. There is a comment, where someone writes that until Craig came along, they did not care for Bond.

    And make no mistake, due to family politics between the Broccoli family and Connery, Babs wants Craig to dethrone Connery. Her passion for Craig borders on obsessive. The professional crossing into the personal. By overselling Craig, she opens the door for a backlash of resentment. It is telling that Connery refused to participate in the Everything Or Nothing documentary.

  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    edited January 2017 Posts: 40,477
    @bondjames, I have a friend who has seen a couple of the Brosnan installments and the entire Craig era, refusing to see anything else because he's picky and doesn't like older films, so he's really missing out on the best of the bunch.

    I'm still surprised that there are some here who despise Brosnan's era so much that they refuse to watch his films, but then again, I'm not rushing to put the two Mendes movies in my blu-ray player, so I suppose I understand.
  • bondjamesbondjames You were expecting someone else?
    Posts: 23,883
    @Creasy47, that's what I mean. Shocking when one thinks about it. We all rave about the old classics, but to quite a few of the new expanding fanbase, they're not even worth watching. Soon forgotten and looked upon like the old campy Batman tv show perhaps? I certainly hope not.

    @acoppola, all my fears aside, I don't see Craig ever dethroning King Sean. He's only got one more in him most likely. I think his legacy will also depend on how cooperative he is post-Bond tenure in terms of participating and supporting the franchise.
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