It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
Personally I don't care who directs as long as it's good.
Yeah. Nolan is not my favorite option but at least he would make something interesting.
…or painfully and excruciatingly boring like his “thriller” Tenet.
Nope, to C.Nolan. They need energy and sex appeal for the re-launch. That doesn’t describe Chris at all all.
That doesn't really describe Villeneuve, Berger or King either.
I’m not a fan of Villeneuve directing, UNLESS he can tap into the grounded intensity, suspense and tension of Prisoner and Sicario…If he’s pitching that, I’ll take him any day of the week.
As for Berger, @CraigMooreOHMSS said it best on another thread: made sense when he was rumoured to be helming a new Bourne.
I also believe this list has little sources connected to it. These are obvious choices that all of us could have come up with, and they ARE likely all on a list, but it’s pretty apparent why the major trades didn’t run this “groundbreaking “ news (and Empire killed the lead less than an hour after posting!). There wasn’t a lot of “there” there.
Saying that I expect these guys to be on a list, but I also think these producers will be interviewing a lot of talent to hear pitches. As they should!
And, although he’s not someone I’d automatically choose, I’d think that King will have an inside track on this. If Amazon is going for a creatively “inside-the-lines”/modern take on Bond, King could stitch together an inoffensive and fun/exciting James Bond adventure (absent the sexiness I’d like to see, but that’d be traded with a rollercoaster ride).
No, you’re right. I’m just taking things at face value, and their output. I think looking at King’s recent output, he’s an awfully sneaky candidate. And my shot in the dark guess is he could really have the inside track.
I believe out of all the names suggested he provides the safest route to a crowd-pleasing Bond film.
Even if Villeneuve promised a gritty, grounded take, in the style of his excellent Sicario, which is very appealing to me, I wonder: would it bring in new fans? That I’m not convinced by.
But I CAN see a world where a King flick WOULD bring in new fans.
In the end, we have no idea what direction Amazon want to go in, but I imagine one of their goals is to be able to make older fans happy, but with the goal of bringing in lots of new fans, and the only director that truly gives me pause, and I think he could do exactly that, is King.
And if anyone hasn’t seen Paddington 2 yet, you’re really missing out :)
It actually could be quite ingenious!
Not sure if this means much of anything, given the franchise’s international aesthetic and appeal, but it could point to the direction in which our new producers are leaning. The rumored directors may not give us much in terms of where Bond 26 is headed, but they may indicate the roads Bond 26 will avoid. At this point, I don’t think we’ll get something as banal as Amazon’s “Citadel”, or as milquetoast of a brand relaunch as “The Force Awakens”, or as over the top as “The Fast And The Furious” franchise, or as focused-grouped to death like the Marvel movies.
None of these names strike me as filmmakers easily cowed or intimidated. However different they are in technique and aesthetic, the rumored directors all share two things: talent and vision.
I thought we would switch it up. A few times Bond and the leading lady have done an activity together in a movie. As I sit in my 95 degree weather in Canada I had a thought of snow. LOL! So I have to ask:
Would you rather snorkel with Domino in the Bahamas OR ski the Swiss Alps with Tracy?
Both are fun activities and the ladies in question seem to be able to keep up or at least participate with Bond. Which one would you rather do?
I prefer Winter to Summer too, but like yourself, @Ludovico, I find Claudine in a swimsuit hard to resist. :-)
With my fear of hights, that isn't thrilling, it is terrifying. And I've had the honour to do so with the love of my life. Who, coincidentally, looks more like Domino.
FOr my own health, thats all I'm going to say!
.... even my New York City subway commute to work with Tracy.
:x
Earlier in life I legitimately skied on slopes probably one time. I'm admittedly at the age it's not likely I could safely commit to the sport, plus time and distance wouldn't allow the necessary focus to truly take it on. Definitely would relish the nature and scenic views and everything that goes with it. But a man has to know his limitations and then some.
Much more comfortable snorkeling, short of scuba and its commitments. It's actually on my mind to jump off to Nassau the next time I'm in Florida to do just that.
So Domino. Snorkeling.
A few times Bond has found himself in the midst of festivals! Lets see which one you would rather attend.
Would you rather attend the Junkanoo in the Bahamas OR Carnival in Brazil?
Junkanoo is the Bahamas’ vibrant street parade and festival, celebrated chiefly on Boxing Day (December 26)** and New Year’s Day (January 1). It blends West African rhythms, European masquerade traditions, and Bahamian creativity into a uniquely island spectacle.
Origins & History
Junkanoo traces back to the 18th century, when enslaved West Africans in the Bahamas were given brief holidays around Christmas to celebrate. They honored a legendary figure—“John Canoe” or “Junkanoo”—and brought drums, cowbells, and improvised costumes into the streets. Over time, what began as a covert assertion of cultural identity grew into the nation’s premier festive tradition.
Music & Dance
At its heart are Goombay drums, cowbells, conch-shell horns, and whistles, driving a hypnotic 2‑beat rhythm. Troupes (known as “shacks” or “troupes”) weave elaborate call‑and‑response chants and perform synchronized dances, often led by a “Field Marshal” who commands the cadence and movements.
Costumes & Floats
Months in the making, carnival‑style costumes are crafted from colorful crepe paper, cardboard, and wire frames. Designs range from abstract geometric patterns to elaborate representations of Bahamian flora, fauna, and folklore. Large floats—pulled by tractors—carry masked dancers, musicians, and sometimes entire miniature scenes.
Community & Competition
Neighborhood “shacks” compete for cash prizes in categories like Best Music, Best Costume, and Best Float. Junkanoo is as much about local pride and teamwork as it is a public party—it brings communities together year‑round in rehearsals, costume‑building, and fundraising.
Modern Evolution
Today Junkanoo spans multiple Bahamian islands and even reaches diaspora communities abroad. In Nassau, the annual New Year’s Day parade on Bay Street draws thousands of spectators, while smaller festivals occur in Grand Bahama, Exuma, and beyond.
In essence, Junkanoo is the heartbeat of Bahamian culture—a joyous, high‑energy celebration of freedom, creativity, and community that lights up the islands every holiday season.
OR
Carnival in Rio de Janeiro is the world’s largest and most famous pre‑Lent festival, transforming the city into a nonstop, four‑day celebration of music, dance, and spectacle.
When & Why:
Held every year before Ash Wednesday (usually February), Rio Carnival marks the last big party before the traditional Lenten fast begins.
It dates back to the early 18th century, blending Portuguese masquerade balls with West African rhythms brought by enslaved peoples.
Samba School Parades at the Sambadrome:
The heart of the festival is the Sambadrome, a purpose‑built stadium where Rio’s top samba schools compete over several nights.
Each school—an organized community troupe—spends months preparing a themed show: opening “comissão de frente,” giant floats, elaborately costumed dancers, and a pulsating drum battery (the bateria).
Street Parties & Blocos:
Outside the Sambadrome, the entire city erupts into blocos (street bands), where millions of costumed revelers dance through neighborhoods to live music, free of charge.
Blocks can range from small neighborhood groups to massive, branded spectacles.
Costumes & Competition:
Costumes are crafted from billowing crepe paper, feathers, and sequins—often representing Brazilian history, myth, or social commentary.
Samba schools are judged on music, theme coherence, float design, and overall performance; winners are announced on Ash Wednesday.
Cultural Impact:
More than two million people flood Rio’s streets each day of Carnival, generating significant tourism revenue and global media attention.
Beyond the pageantry, Carnival is a powerful expression of Brazilian identity—celebrating community, creativity, and resilience through dance and rhythm.
Whether you watch from grandstand seats or join a bloco in the streets, Rio Carnival is an unforgettable immersion in color, sound, and joyous celebration.
Which celebration are you heading to?