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Two things that I want to see with Blofeld as done with Fleming’s are a deformed nose and gold tooth. They are from Fleming, so it would feel right.
I still don't think he was that bad. Like is he really worse than Pleasance or Gray? I don't think those were stunning villains to be honest. Pleasance is barely in it.
I think it's time to ditch deformity=evil to be honest.
I do think Waltz is better in NTTD than he was in SP though - I liked the gimmick of Blofeld parading around his eyeball for his own birthday party attended only by SPECTRE agents. Very tongue in cheek and I liked it.
Buying out Barbara and Michael *is* the fast-tracking.
That's different because they were at loggerheads, literally nothing was happening. Now the process can start, but they need to find an entirely new team both in front of and behind the camera, establish a creative change of command and bring about a vision that all parties are happy with, so they move forward singing from the same hymnsheet. Basically 10 billion has already been invested in this, they have to take every step very carefully.
Oh I agree: it could work, but it might not. That's what's scary for me. There are so many ways to get Blofeld wrong. And yes, Moriarty is probably the best comparison: he became Holmes' nemesis accidentally, for one. And I'm glad I'm not the only one thinking Andrew Scott was a terrible excuse of a Moriarty. Jared Harris is the only thing that truly worked in the Ritchie Holmes movies.
For me, nobody will top Eric Porter as Moriarty. But Harris did very well. And that scene and the Moriarty teaser at the end made me watch the second film!
Lol. I get! Eric Porter did have that very villainous face, though.
Once we get a writer we'll be around 3 years from the film being released, and who knows when that will be.
Oh Scot was awful. I'm not a fan of that show in general though. I actually quite enjoyed the Ritchie Holmes movies (I can admit they're very flawed and a bit stupid at points - very much big action spectacle films - but that's not necessarily a bad thing in itself).
I would say getting an actor by the end of the year is optimistic, but never say never I guess. I suspect we'll get public updates about the script/writers first though.
I agree that Scott wasn't great in it though: doing that 'Joker'-style baddie acting isn't as easy as it seems. I still don't really know why the Bond folk picked him for Spectre.
I think I mainly remember the last season of Sherlock! That finale was... very odd. But definitely, I enjoy the Ritchie movies.
I wouldn't be surprised if they have a few script writers already surely with the producers proven track record/experience/contacts etc and Amazon money ?
I wonder if script writers are using A.I these days ?
Pascal was making Spiderman films every 2 years.
Heyman was making Harry potter films every year or so.
Making Bond movies isn't rocket science...........
Bond is a field agent, the only people seen in the field should be field agents. No PAs, no Quartermasters, no technical geeks, no Chief Executives. It makes MI6 look like amateurs.
And Bond is in the elite group of field agents, so be good to see MI6 tackling a problem, then escalating it to Bond - who would probably be off punting or skiing with a girlfriend at the time
A nation state has enormous power - it takes your money and it kills people, and Bond is a manifestation of that lethal power. To me, that’s why Connery Bond worked so well - he was a state assassin, the darkness of which underpinned all the joking around. He shouldn’t be seen as just some adventurer with his mates.
You can still have a Bond film that uses the MI6 team more and keeps Bond as a lone agent in the field.
Rachel Zegler says hello.
If the new MI movie flops then I'll be worried. Right now, any James Bond movie is better than none.
I agree, not only does the gap help to give them more time to work out the script, but it also builds anticipation, and nowadays people are rarely given the opportunity to actually miss anything because theres always content flying at your face.
At this stage, they may have a general outline as to where they want to go with the character and the film, and are likely speaking to potential scriptwriters for their pitches/ideas, and if they can mesh well with their vision.
These things do take time. Putting in the early prep work now will pay dividend further down the road and hopefully mean a smoother scripting process.
We just need some patience (which is hard for film starved Bond fans :D )