Controversial opinions about Bond films

1663664666668669705

Comments

  • mtmmtm United Kingdom
    Posts: 14,947
    I certainly agree about lots of those lines, plus 'alimentary dear Felix', 'tart's handkerchief', 'collars and cuffs' and many more; but I do think that 'named after your father perhaps' is a bit rubbish. Firstly, the writers have called her Plenty O'Toole just so they can do that gag, which is a bit of a cheat; and secondly, from the way Bond stares at her boobs before he says it, he seems to be drawing a line between her dad having a big tallywhacker and her growing a fine pair of funbags, which I'm not convinced makes much logical sense.
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,690
    mtm wrote: »
    I certainly agree about lots of those lines, plus 'alimentary dear Felix', 'tart's handkerchief', 'collars and cuffs' and many more; but I do think that 'named after your father perhaps' is a bit rubbish. Firstly, the writers have called her Plenty O'Toole just so they can do that gag, which is a bit of a cheat; and secondly, from the way Bond stares at her boobs before he says it, he seems to be drawing a line between her dad having a big tallywhacker and her growing a fine pair of funbags, which I'm not convinced makes much logical sense.

    No, she's called Plenty O'Toole because it's the direct opposite of Pussy Galore, and I think that's the primary gag, and a good one. "Named after your father, perhaps?" is Bond having to make sense of why a girl in his movie would be so misnamed!
  • mtmmtm United Kingdom
    Posts: 14,947
    mtm wrote: »
    I certainly agree about lots of those lines, plus 'alimentary dear Felix', 'tart's handkerchief', 'collars and cuffs' and many more; but I do think that 'named after your father perhaps' is a bit rubbish. Firstly, the writers have called her Plenty O'Toole just so they can do that gag, which is a bit of a cheat; and secondly, from the way Bond stares at her boobs before he says it, he seems to be drawing a line between her dad having a big tallywhacker and her growing a fine pair of funbags, which I'm not convinced makes much logical sense.

    No, she's called Plenty O'Toole because it's the direct opposite of Pussy Galore, and I think that's the primary gag, and a good one. "Named after your father, perhaps?" is Bond having to make sense of why a girl in his movie would be so misnamed!

    Maybe, but spoilt by Connery getting an eyeful before saying it.

    And of course, as we all know, the true male version of 'Pussy Galore' is in fact 'Roger Moore' :)
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,690
    mtm wrote: »

    Maybe, but spoilt by Connery getting an eyeful before saying it.


    [-( Not really, though!

    PLENTY: Hi, I'm Plenty!
    (Bond looks at Plenty's boobs)
    BOND: But of course you are.
    PLENTY: Plenty O'Toole!
    (Bond doesn't look at Plenty's boobs)
    BOND: Named after your father, perhaps?

    There doesn't seem to be a connection intended between her boob size and her dad's equipment!
  • Posts: 1,883
    Diamonds Are Forever is my favorite Connery Bond.

    It's a better written film than at least the three preceding Connery films. DAF has a very solid through line in the plotting. It moves from A to B to C to D in a logical way pretty much to the end of the film. Bond uses his wits in an undercover investigative role and it's brilliantly done, even if some of the characters and set pieces might be a little too off-the-wall for some (I think they're great).

    Contrasting this film with preceding films, it's not hard to understand why Connery, referring to the script, thought it would be his best (at least beforehand). YOLT makes little effort to tie its nonsensical set pieces together. TB relies heavily on multiple coincidences, has two suspense-free battles even after the bad guys have lost, and seems to have been rearranged in editing. GF resolves its plot offscreen before the third act even starts and features a relatively incompetent and powerless Bond.

    And the humor is wonderful. "Named after your father, perhaps". "More than my hands up". "Small world". "If we blow up Kansas the world may not hear about it for years". "Alimentary". "I feel much safer with this on"...there's loads. I don't mean to knock Thunderball, which I also like, but I think the fan love for dad jokes like "I think he got the point" is a little silly. Those are fine I guess, but if you really like them, I suggest investing in as many Arnold Schwarzenegger movies as you can get!

    EDIT: I just remembered the bit I find to be the funniest moment in the movie: when Tiffany says "Hi, Ernst!" to Blofeld. It's hilarious. The deliberate self-satire in this movie is well done, and in also supplying a decent Bond story, I really think DAF manages to have its cake and eat it too.

    Props to you, Prof, for this honest view, even at the expense of some of the sacred cow films. Taking in these views is why I enjoy coming here.

    Some fans don't like the relationship between the Connery Bond and Lee M, but I love the exchanges while meeting Sir Donald to begin the film. "Hardest substance found in nature, they cut class, suggest marriage, I suppose it replaced a dog as a girl's best friend, but that's about it." It's a nice contrast to the Moore years when he seemed to know about every subject and arrogantly spout it like a schoolboy.

    I will defend the so-called dad jokes. Put in the context of the times, a lot of those lines were set up to give the audience some relief after a tense situation. And Connery did it so well. They would really get out of hand during the Moore era. Schwarzenegger movies just basically stole the concept after it had already played out and took it to a new level of cringe.

  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,690
    BT3366 wrote: »
    Diamonds Are Forever is my favorite Connery Bond.

    It's a better written film than at least the three preceding Connery films. DAF has a very solid through line in the plotting. It moves from A to B to C to D in a logical way pretty much to the end of the film. Bond uses his wits in an undercover investigative role and it's brilliantly done, even if some of the characters and set pieces might be a little too off-the-wall for some (I think they're great).

    Contrasting this film with preceding films, it's not hard to understand why Connery, referring to the script, thought it would be his best (at least beforehand). YOLT makes little effort to tie its nonsensical set pieces together. TB relies heavily on multiple coincidences, has two suspense-free battles even after the bad guys have lost, and seems to have been rearranged in editing. GF resolves its plot offscreen before the third act even starts and features a relatively incompetent and powerless Bond.

    And the humor is wonderful. "Named after your father, perhaps". "More than my hands up". "Small world". "If we blow up Kansas the world may not hear about it for years". "Alimentary". "I feel much safer with this on"...there's loads. I don't mean to knock Thunderball, which I also like, but I think the fan love for dad jokes like "I think he got the point" is a little silly. Those are fine I guess, but if you really like them, I suggest investing in as many Arnold Schwarzenegger movies as you can get!

    EDIT: I just remembered the bit I find to be the funniest moment in the movie: when Tiffany says "Hi, Ernst!" to Blofeld. It's hilarious. The deliberate self-satire in this movie is well done, and in also supplying a decent Bond story, I really think DAF manages to have its cake and eat it too.

    Props to you, Prof, for this honest view, even at the expense of some of the sacred cow films. Taking in these views is why I enjoy coming here.

    I will defend the so-called dad jokes. Put in the context of the times, a lot of those lines were set up to give the audience some relief after a tense situation. And Connery did it so well. They would really get out of hand during the Moore era. Schwarzenegger movies just basically stole the concept after it had already played out and took it to a new level of cringe.

    Well, thanks!

    I don't wanna sound too down on the dad jokes. I just don't think any of them from TB topped the first one in Dr No: "Sergeant, make sure he doesn't get away."

    And more generally, I may find GF, TB, and YOLT all to have some significant flaws, but each was also earth-shattering to some degree in terms of delivering things audiences had never seen before.
  • mtmmtm United Kingdom
    edited August 2021 Posts: 14,947
    mtm wrote: »

    Maybe, but spoilt by Connery getting an eyeful before saying it.


    [-( Not really, though!

    PLENTY: Hi, I'm Plenty!
    (Bond looks at Plenty's boobs)
    BOND: But of course you are.
    PLENTY: Plenty O'Toole!
    (Bond doesn't look at Plenty's boobs)
    BOND: Named after your father, perhaps?

    There doesn't seem to be a connection intended between her boob size and her dad's equipment!

    I think he's capable of remembering some boobs he saw one line ago ;)
    Regardless, it's just a bit of a weird gag about her dad's wang anyway. It's a strange thing to be thinking about in a flirty situation- it's just a bit clunkier than most gags in the film.
  • echoecho 007 in New York
    edited August 2021 Posts: 5,976
    Plenty O'Toole's name equals a dad joke? I mean, I get what the name means but sheesh...

    It's cleverer than Stephanie Broadchest. I'll give it that.

    I'm sure someone's written an article or two about the gay overtones of DAF. From the way Connery throws his hands up in the PTS, to Wint and Kidd, to Plenty O'Toole's name, to Blofeld in drag...the film has a gay sensibility throughout.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    The exchange is perfectly fine because it's one of the times that the films indulge in self-referential humor. This kind of gag would happen again in CR with the Stephanie Broadchest gag.
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,690
    echo wrote: »
    Plenty O'Toole's name equals a dad joke? I mean, I get what the name means but sheesh...

    It's cleverer than Stephanie Broadchest. I'll give it that.

    I'm sure someone's written an article or two about the gay overtones of DAF. From the way Connery throws his hands up in the PTS, to Wint and Kidd, to Plenty O'Toole's name, to Blofeld in drag...the film has a gay sensibility throughout.

    I don't know if you're referring to my comment, but I was referring to "I think he got the point" as a dad joke. "Plenty O'Toole" is a nice parody name. Much better than Stephanie Broadchest or Alotta Vagina in Austin Powers.

    I like the queerness of DAF too. There's also a weird thing with duality. Two Blofelds, two Peter Franks, two Klaus Hergesheimers, Wint and Kidd, Bambi and Thumper. Probably means nothing, but there's a lot of doubles.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    That's the real reason Bond is a 00.
  • Posts: 1,394
    Diamonds Are Forever is my favorite Connery Bond.

    It's a better written film than at least the three preceding Connery films. DAF has a very solid through line in the plotting. It moves from A to B to C to D in a logical way pretty much to the end of the film. Bond uses his wits in an undercover investigative role and it's brilliantly done, even if some of the characters and set pieces might be a little too off-the-wall for some (I think they're great).

    Contrasting this film with preceding films, it's not hard to understand why Connery, referring to the script, thought it would be his best (at least beforehand). YOLT makes little effort to tie its nonsensical set pieces together. TB relies heavily on multiple coincidences, has two suspense-free battles even after the bad guys have lost, and seems to have been rearranged in editing. GF resolves its plot offscreen before the third act even starts and features a relatively incompetent and powerless Bond.

    And the humor is wonderful. "Named after your father, perhaps". "More than my hands up". "Small world". "If we blow up Kansas the world may not hear about it for years". "Alimentary". "I feel much safer with this on"...there's loads. I don't mean to knock Thunderball, which I also like, but I think the fan love for dad jokes like "I think he got the point" is a little silly. Those are fine I guess, but if you really like them, I suggest investing in as many Arnold Schwarzenegger movies as you can get!

    EDIT: I just remembered the bit I find to be the funniest moment in the movie: when Tiffany says "Hi, Ernst!" to Blofeld. It's hilarious. The deliberate self-satire in this movie is well done, and in also supplying a decent Bond story, I really think DAF manages to have its cake and eat it too.

    Wow! You make a lot of good points there.I feel DAF would rank higher in general if it weren’t for two elements.

    1) That the production didn’t face obvious budget cutbacks to the point where the action climax on the oil rig looked cheap.

    2) That Connery wasn’t in better shape.

    All the elements were there for a genuinely terrific Bond entry ( provided you weren’t expecting an OHMSS direct sequel ).As it is I do enjoy the film a lot even if I rank it my least favourite of the Connery era.
  • mtmmtm United Kingdom
    Posts: 14,947
    The exchange is perfectly fine because it's one of the times that the films indulge in self-referential humor. This kind of gag would happen again in CR with the Stephanie Broadchest gag.

    I don't think that's the Bond films poking fun at themselves though (no more than usual anyway). The Broadchest gag is self-referential, you're right. 'Plenty' might be a riff on the Pussy name, but it's not poking fun at it.
  • BennyBenny In the shadowsAdministrator, Moderator
    Posts: 14,873
    This isn't controversial, it's just an opinion.
    I tend to view DAF as a follow up to YOLT, not OHMSS. At no point is Tracy referenced or mentioned. Bond to me is merely tracking down Blofeld in order to get the job done. It's a personal revenge for himself. Also if it were a direct sequel or follow up to OHMSS, then Moneypenny asking Bond to bring her back a diamond, in a ring from Amsterdam would be pretty cold, considering he's seemingly recently had his wife murdered on their wedding day.
    I think all involved decided to make the film lighter and more fun, and ignore the going's on of OHMSS altogether.
  • Benny wrote: »
    This isn't controversial, it's just an opinion.
    I tend to view DAF as a follow up to YOLT, not OHMSS. At no point is Tracy referenced or mentioned. Bond to me is merely tracking down Blofeld in order to get the job done. It's a personal revenge for himself. Also if it were a direct sequel or follow up to OHMSS, then Moneypenny asking Bond to bring her back a diamond, in a ring from Amsterdam would be pretty cold, considering he's seemingly recently had his wife murdered on their wedding day.
    I think all involved decided to make the film lighter and more fun, and ignore the going's on of OHMSS altogether.

    100% Benny, the PTS starts out in Japan after all!
  • mtmmtm United Kingdom
    Posts: 14,947
    I always wonder, that bit where Sean strangles the lady with her own bikini top.. did they really fly all the way to the South of France just for that twenty second scene..?!
  • Posts: 15,803
    mtm wrote: »
    I always wonder, that bit where Sean strangles the lady with her own bikini top.. did they really fly all the way to the South of France just for that twenty second scene..?!

    They sure did. Perhaps that scene could've been shot at Pinewood and the budget spent going to France could've been used for improving the visual effects toward the climax?
  • ProfJoeButcherProfJoeButcher Bless your heart
    edited August 2021 Posts: 1,690
    mtm wrote: »
    The exchange is perfectly fine because it's one of the times that the films indulge in self-referential humor. This kind of gag would happen again in CR with the Stephanie Broadchest gag.

    I don't think that's the Bond films poking fun at themselves though (no more than usual anyway). The Broadchest gag is self-referential, you're right. 'Plenty' might be a riff on the Pussy name, but it's not poking fun at it.

    A direct comic reversal of the name Pussy Galore certainly seems to be poking fun. And it's in a scene where Bond is completely overdressed in a sleazy Vegas casino. And it's the movie with the line, "You just killed James Bond." And Blofeld having signs in his base that say IF IN DOUBT ASK.

    Holly Goodhead and Xenia Onatopp are (lame) riffs on the Pussy Galore motif, but Plenty O'Toole is parody.
  • Posts: 1,569
    The MOST self-referential thing in any Bond movie has to be the "This never happened to the other fellow" line at the beginning of OHMSS. I was shocked ! I thought I must have misunderstood it, and struggled to figure out a non-break-the-fourth-wall meaning. Couldn't. It's ironic that it was done in what, otherwise and overall, was a very serious Bond film.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    Certainly the most controversial!
  • Posts: 2,895
    I think the filmmakers felt they had to address the elephant in the room--someone else than Connery playing Bond. The two were inextricable in the mind of the public to a degree that is almost impossible to grasp for those of us who weren't around at the time.

    Ultimately the best way of addressing the elephant was to wink at it. And the best time to do so was after the pre-credits had ended, when all the preceding tension had been dispelled, and right before Binder's titles, which asserted the film's continuity with all the preceding Bond films, even if the actor was different. The filmmakers found the best place for this potentially throwaway line--the shock it causes is swiftly dispelled by the opening thunderclaps of Barry's theme music.

    The film openly acknowledges that this is Bond is a different fella than the one we've come to know and love, but asserts he's still appearing in a genuine Bond film.
  • PrinceKamalKhanPrinceKamalKhan Monsoon Palace, Udaipur
    edited August 2021 Posts: 3,262
    Benny wrote: »
    This isn't controversial, it's just an opinion.
    I tend to view DAF as a follow up to YOLT, not OHMSS. At no point is Tracy referenced or mentioned. Bond to me is merely tracking down Blofeld in order to get the job done. It's a personal revenge for himself. Also if it were a direct sequel or follow up to OHMSS, then Moneypenny asking Bond to bring her back a diamond, in a ring from Amsterdam would be pretty cold, considering he's seemingly recently had his wife murdered on their wedding day.
    I think all involved decided to make the film lighter and more fun, and ignore the going's on of OHMSS altogether.

    Agreed. I think the entire early 1970s Mankiewicz/Hamilton trilogy can be seen as a sort of "parallel universe" timeline where OHMSS never happened. I think Moore Bond's reaction to learning a "Mrs. Bond" had already checked into his San Monique hotel in LALD seems to not recall Tracy in the least. The affirmation of OHMSS really happening in the Bond timeline didn't occur until TSWLM.
    Since62 wrote: »
    The MOST self-referential thing in any Bond movie has to be the "This never happened to the other fellow" line at the beginning of OHMSS. I was shocked ! I thought I must have misunderstood it, and struggled to figure out a non-break-the-fourth-wall meaning. Couldn't. It's ironic that it was done in what, otherwise and overall, was a very serious Bond film.

    When I first saw it as a child I thought the other fellow was supposed to be Prince Charming since Bond's Cinderella, i.e. Tracy had left her shoes behind. It wasn't until I was older that I realized it was a direct reference to Connery.
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,690
    And DAF follows the self-reference of OHMSS in the dialogue in M's office. "We do function in your abscence" and all of that. Of course, it's done with a lot more plausible deniability than the OHMSS line.
  • mtmmtm United Kingdom
    Posts: 14,947
    mtm wrote: »
    The exchange is perfectly fine because it's one of the times that the films indulge in self-referential humor. This kind of gag would happen again in CR with the Stephanie Broadchest gag.

    I don't think that's the Bond films poking fun at themselves though (no more than usual anyway). The Broadchest gag is self-referential, you're right. 'Plenty' might be a riff on the Pussy name, but it's not poking fun at it.

    A direct comic reversal of the name Pussy Galore certainly seems to be poking fun. And it's in a scene where Bond is completely overdressed in a sleazy Vegas casino. And it's the movie with the line, "You just killed James Bond." And Blofeld having signs in his base that say IF IN DOUBT ASK.

    Holly Goodhead and Xenia Onatopp are (lame) riffs on the Pussy Galore motif, but Plenty O'Toole is parody.

    I don’t agree, it’s not played that way.

    And DAF follows the self-reference of OHMSS in the dialogue in M's office. "We do function in your abscence" and all of that. Of course, it's done with a lot more plausible deniability than the OHMSS line.

    I like that line. A reference to Connery having a film off but it also works in reference to Bond’s actions in the PTS.
  • ProfJoeButcherProfJoeButcher Bless your heart
    edited August 2021 Posts: 1,690
    mtm wrote: »

    I don’t agree, it’s not played that way.

    Sorry I'm so argumentative :))

    Think of it this way: "Pussy Galore" means "a substantial amount of vagina". "Plenty O'Toole" means " a substantial amount of penis". It is a direct reference to that specific name, and reversed in a way that makes the name less appealing to James Bond. If some other campy spy movie of the era had a character called "Plenty O'Toole", it would be more easily recognized as parody. Or imagine the villain of DAF was named Mrs Yes, and her lair was full of signs like "Employees MUST wash hands". It's obvious parody.

    (I'm fairly sure most people don't even notice that Plenty O'Toole, only the second ridiculous name in the series, is a direct reversal of the first. It's rarely mentioned. People talk about it as just another silly name in the Bond movies...)

    I think you're just misreading this somehow. I mean, there's no way Bond was "drawing a line between her dad having a big tallywhacker and her growing a fine pair of funbags".

    This isn't the first time I've pursued a ridiculous argument about a Mankiewicz line. A comment of mine was once read on JBR and didn't persuade one of the hosts: I was asserting that Bond's LALD line, "Well I certainly wouldn't have killed you before" is an obvious joke about necrophilia (it is). :))
  • mtmmtm United Kingdom
    edited August 2021 Posts: 14,947
    mtm wrote: »

    I don’t agree, it’s not played that way.

    Sorry I'm so argumentative :))

    Think of it this way: "Pussy Galore" means "a substantial amount of vagina". "Plenty O'Toole" means " a substantial amount of penis". It is a direct reference to that specific name, and reversed in a way that makes the name less appealing to James Bond. If some other campy spy movie of the era had a character called "Plenty O'Toole", it would be more easily recognized as parody. Or imagine the villain of DAF was named Mrs Yes, and her lair was full of signs like "Employees MUST wash hands". It's obvious parody.

    Ugh. More? You are a bit relentless sometimes.
    I know that it's a reversal on Pussy: it just isn't making fun of it. It's not played as being ridiculous in Bond's world (unlike the Broadchest gag).
    Bond in his dinner suit is taking the mick out him slightly, however, yes.
    I think you're just misreading this somehow. I mean, there's no way Bond was "drawing a line between her dad having a big tallywhacker and her growing a fine pair of funbags".

    Not as scripted, but as played it leaves the audience with that impression. Partially because her tits are being focused on by the shot and Bond himself, partially because the size of her dad's dick is just such a weird thing for Bond to comment on. And her name is just strange anyway: Bond girl names are usually vaguely sexy. If she were a drag queen it would make more sense...
    This isn't the first time I've pursued a ridiculous argument about a Mankiewicz line. A comment of mine was once read on JBR and didn't persuade one of the hosts: I was asserting that Bond's LALD line, "Well I certainly wouldn't have killed you before" is an obvious joke about necrophilia (it is). :))

    It's a joke about Bond wanting a shag. I think you're really misreading that one!
  • ProfJoeButcherProfJoeButcher Bless your heart
    edited August 2021 Posts: 1,690
    mtm wrote: »
    mtm wrote: »

    I don’t agree, it’s not played that way.

    Sorry I'm so argumentative :))

    Think of it this way: "Pussy Galore" means "a substantial amount of vagina". "Plenty O'Toole" means " a substantial amount of penis". It is a direct reference to that specific name, and reversed in a way that makes the name less appealing to James Bond. If some other campy spy movie of the era had a character called "Plenty O'Toole", it would be more easily recognized as parody. Or imagine the villain of DAF was named Mrs Yes, and her lair was full of signs like "Employees MUST wash hands". It's obvious parody.

    Ugh. More?
    I know that it's a reversal on Pussy: it just isn't making fun of it. It's not played as being ridiculous in Bond's world (unlike the Broadchest gag).
    I think you're just misreading this somehow. I mean, there's no way Bond was "drawing a line between her dad having a big tallywhacker and her growing a fine pair of funbags".

    Not as scripted, but as played it leaves the audience with that impression. Partially because the size of her dad's dick is just such a weird thing for Bond to comment on. And her name is just strange anyway. If she were a drag queen it would make more sense...
    This isn't the first time I've pursued a ridiculous argument about a Mankiewicz line. A comment of mine was once read on JBR and didn't persuade one of the hosts: I was asserting that Bond's LALD line, "Well I certainly wouldn't have killed you before" is an obvious joke about necrophilia (it is). :))

    It's a joke about Bond wanting a shag. I think you're really misreading that one!

    "I wouldn't have killed you before (I had sex with you)" is to say I wouldn't bonk your corpse. It does not mean "I wouldn't have killed you without having sex with you" or "I wouldn't have killed you until I had sex with you." Basically, if having sex with you and killing you are both going to happen, the order of events should be clear for a normal person. :))

    But anyway, nothing about parody means that something has to be "played as being ridiculous in Bond's world". Nothing in Austin Powers seems to be addressed by the character as being ridiculous or out of place to him.

    But yeah, her name is "strange", as you say. :)) Because it's satirical. The only name like it in the series.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    I’ll just say ProfJoeButcher won the debate.

    Let’s move onto other controversial opinions:

    I think George Martin’s score is crap. It takes me out of the film more than Eric Serra’s score did for GE.
  • Posts: 14,822
    BT3366 wrote: »
    Diamonds Are Forever is my favorite Connery Bond.

    It's a better written film than at least the three preceding Connery films. DAF has a very solid through line in the plotting. It moves from A to B to C to D in a logical way pretty much to the end of the film. Bond uses his wits in an undercover investigative role and it's brilliantly done, even if some of the characters and set pieces might be a little too off-the-wall for some (I think they're great).

    Contrasting this film with preceding films, it's not hard to understand why Connery, referring to the script, thought it would be his best (at least beforehand). YOLT makes little effort to tie its nonsensical set pieces together. TB relies heavily on multiple coincidences, has two suspense-free battles even after the bad guys have lost, and seems to have been rearranged in editing. GF resolves its plot offscreen before the third act even starts and features a relatively incompetent and powerless Bond.

    And the humor is wonderful. "Named after your father,
    echo wrote: »
    Plenty O'Toole's name equals a dad joke? I mean, I get what the name means but sheesh...

    It's cleverer than Stephanie Broadchest. I'll give it that.

    I'm sure someone's written an article or two about the gay overtones of DAF. From the way Connery throws his hands up in the PTS, to Wint and Kidd, to Plenty O'Toole's name, to Blofeld in drag...the film has a gay sensibility throughout.

    I don't know if you're referring to my comment, but I was referring to "I think he got the point" as a dad joke. "Plenty O'Toole" is a nice parody name. Much better than Stephanie Broadchest or Alotta Vagina in Austin Powers.

    I like the queerness of DAF too. There's also a weird thing with duality. Two Blofelds, two Peter Franks, two Klaus Hergesheimers, Wint and Kidd, Bambi and Thumper. Probably means nothing, but there's a lot of doubles.

    When there's so many doubles, it means something. DAF is all about true and false, truth and lies, real and fake. Had they made a serious film with the same theme, it could hav been genuinely great.

    Regarding Stephanie Broadchest, at least it's lampshaded by Vesper and it's acknowledged by the characters that it's a terrible name.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    Yeah, Broadchest was intentionally bad enough as a way of Bond teasing Vesper, and this is after he commented “I hope you gave your parents hell for that”.
Sign In or Register to comment.