It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
<font color=tomato size=4><b>THESIS 001</b></font>
<font color=blue size=7> <b>Martin Campbell saved the Bond franchise twice</b></font>
Over to you!
True but he must have had a hand in something otherwise they wouldn't have choosen him to reintroduce Bond in CR.
Uhm... I bring up a thesis, and not necessarily one I agree with myself. It's up to our members to provide us with arguments either pro or contra. I don't participate immediately myself, in order not influence anyone.
Goldeneye could be pointed to the great script they had from Cain, Feirstein, and France. Along with the combined efforts of Campbell, Wilson, and Babs, along with Brosnan being the Bond that the public wanted at the time.
I put Casino Royale's success on many people as well. I think Campbell deserves more credit here than he does with GE, but he can't get the full credit. Wilson and Babs made the bold move to not hire Brosnan and reboot the series. They could of simply said "let's make Casino Royale and have Pierce do that as his last film." But they didn't, they made the bold choice to reboot. Campbell and Craig deserve much credit but it's the combined efforts of all of these fine people.
IMO he wanted the films 'as good as it can be' on the directing side... Campbell is a very good director and action director, so he probably wanted the look of the film to be as perfect as possible. IMO, as I said, he was just there to do as he was told, EON called all the big shots, and he just tried to make the film look as good as it can be (Campbell loves finding the 'perfect shot', as Mendes does).
So, did he save the franchise? Depending on one's interpretation of "to save a franchise", I'd say yes.
His career outside of Bond has been a mixed bag. The only REALLY good film I've seen of his was the first Zorro. Vertical Limit is so-so but it's noteable for having Natayla in the cast.
I can't say HE was the only reason for the two resurgences, but Martin Campbell was a driving force for sure.
Once again Dimi, a fantastic thread. I'm looking forward to this one!!!
A director like Tamahori or Forster would have challenged some of EON's decisions, he would give his opinion, ask questions... No, EON really needed a director like Campbell who doesn't ask questions, doesn't give his opinion and just do as he is told.
As for CR, the actor the material and all was top notch quality. If Campbell was all that I wish he could have guided the rest of the Brosnan age. Maybe we would have had some decent films.
I agree. Campbell didn't go too far "outside the box" the way Tamahori or Forster did. But you know what? Maybe that was for the better. I look at QOS as having a definite director's stamp on it, like Forster was trying to do something different with the franchise, but the results ended up a mixed bag. Sometimes it's best just to stick to the script.
So did Campbell save the franchise twice over? In a minimal indirect way yes: as DC007 points out, he essentially does the job; no more, no less. I agree with what others have already said: EON, the writers, and the timing of when the films arrived, had more influence in "saving" the series. But Campbell was nonetheless important in that equation too, just not <i>that</i> important.
I'm going to go out on a limb and say "yes". Campbell did save the franchise twice or at least he played a big part in saving it. True there are many other important figures involved but ultimately its Campbell at the helm. He is the captain so to speak. Imagine a lesser director filming the scenes between Brosnan and Sean Bean or the PTS of Royale. Those scenes were pretty much spot on and were each critical parts of GE and CR. Likewise, the action within each film. Compare the action in GE and CR to that of the subsequent films and one can easily see that Campbell's stands out by a mile.
So...yes. He did save the franchise to an extent. A major part of each film's success can be attributed to him.
You wouldn't know it by QOS
That has a lot to do with the second unit, namely Alexander Witt in CR (who you will be happy to know is returning for SF)
Supervision yes, but the workmanship of it lies on the second unit, as it's their specialty. OHMSS being a perfect example.
But to be clear, I'm not making an argument against Martin Campbell. I actually think he does some standout work in GE as well as the PTS in CR that you mention. I'm more critiquing the other director's work in their attempts to make their films something else than a Bond film. I think, Forster, strayed too far, from the bare bones of the series. Yes, QOS looks great in a lot of places, and it's not a bad idea to try to freshen things up a bit in a 40+ year old series. But sometimes the combination of art-house film meets Bond doesn't always work. In Campbell's case, he does a very good serviceable job for Bond. I think he knows the character and understands the history of the series. So in a way you could say he was just the right director to 'save' the series. But I really think it was timing, a new actor, having a good source material, that made a bigger impact.
I sees it as quite simple. It was a matter of supply and demand.
The public demanded/no begged for a Bond film. They had waited too long for one.
And Campbell through Eon supplied it.
The movies were going to be a success no matter what, even if they were two DAD's, they were going to be a financial success. Critically I think GE is a better Bond movie than CR, which is not a Bond movie.
He was a director at the right time for a Bond film to be a success. I think Babs could have directed those movies and they would have still been a success.
If you also leave out inflation both films i believe were the most successfully box office wise in terms of takings. So i don't have any issues with what campbell did as i enjoyed both films
If you leave out inflation you have no argument.
<font color=blue size=7> <b>The cinematic James Bond cannot keep modernizing. They need to go back to Bond’s roots – explore the ‘50s and ‘60s once more.</b></font>
Debate!
I thought it was a moot.
Anyway No. Because Bond is timeless and can easily be tweaked to fit the modern threat of the time, For Example; In the early 1960's and '80's it was russia, but now its the Terrorist. to tie it into the last Thesis/Moot they said that in the 1990's but the producers & the director proved them wrong. If Bond has updated itself for 50 years, it can do it for at least 50 more.