Where does Bond go after Craig?

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  • Posts: 1,200
    I don't think it's too much of a stretch to imagine that when Craig wanted to kill Bond off, they thought 'yea, why not, we don't feel like making any more after this one anyway'.
    I base this vague assumption on absolutely no evidence whatsoever.
  • Posts: 2,242
    I'll see the film no matter what. I fully expect the new Bond actor will take some getting used to: he's not Sean, not George, not Rog, not Tim, not Pierce, not Dan. If anything, I expect more of something along the lines of Mission Impossible in terms of style, story, and look -- almost too polished and A.I.ed. I would love a film that has a Connery vibe, but I'm not sure if anyone these days would know how to do that. It needs to feel like a Bond film instead of an action/thriller that could have been any other film without calling the main character James Bond. Let's hope it's not a Jason Statham film without JS or an F&F defying the laws of gravity film, a something like Kinsmen or any of those hyper-stylized films. And yes, let's have some gratuitous sex and violence.
  • mtmmtm United Kingdom
    Posts: 19,331
    There wasn't much chatter when CR came out being that we just saw a different version of the character parasurfing a glacier just 4 years prior. Maybe since it was more of an origin story and we just received a similar version with Batman Begins just a year prior

    Speaking for myself, I can cope with a bonkers timeline much better than an 'alternate Bondverse'.

    Each to their own of course. As some people have said on here, it's probably as daft to believe that Brozza was the same guy who sung Underneath the Mango Tree as it is to believe in an alternate James Bond timeline. It's just that I could cope with an origin story set in 2006 much better than a reversable big screen death scene with all the fanfare and whistles and bells that went with it. If I'm being asked to care that a character dies, then at least that character should be dead, and not just 'dead withing their own timeline' or whatever explanation they'd offer up. That kind of thing works in sci-fi, for the people that enjoy that stuff. I've never considered James Bond fantasy.
    Fantastical, yes. But always based in the real world.

    Have you seen different adaptations of Macbeth? Or any other classic where a main character dies? Just because it gets adapted again and the next version of the character starts out alive, it doesn't mean it becomes a fantasy, they're all separate versions, just as this is.
    This is the story of Bond, retold again, just like it was with Hamlet or Robin Hood or Sherlock Holmes or whoever.

    And just as a side note, James Bond really is a fantasy! But I know what you mean: you're talking about the genre.
  • edited October 10 Posts: 6,070
    mtm wrote: »
    This is the story of Bond, retold again, just like it was with Hamlet or Robin Hood or Sherlock Holmes or whoever.

    For better or worse, this is kind of where Bond is at now. We got a conscious reboot with Craig as far back as 20 years ago, and look how many different comics, novels, and now video games there are of the character. We’re long past the days of the ‘original timeline’ of ‘62-02, and arguably there never was any such timeline anyway.

    I suppose Bond in his cinematic form has consistent tropes (the Bond theme, gun barrel etc) which those other characters don’t quite have. But generally yeah, there’s a lot of room for reinventing the character.
  • mtmmtm United Kingdom
    Posts: 19,331
    007HallY wrote: »
    I suppose Bond in his cinematic form has consistent tropes (the Bond theme, gun barrel etc) which those other characters don’t quite have. But generally yeah, there’s a lot of room for reinventing the character.

    I was thinking that Superman is sort of entering that realm now, with the latest movie being reasonably different in approach to all the previous ones, and yet using the Williams theme and similar title graphics. I think like the Bond theme, that kind of just is being seen as the general Superman theme now which scores lots of different versions and isn't going away.

    The Saint is another one: different screen versions of the character over the years, but pretty much all using the same stick man logo and whistling theme by Charteris.
  • Posts: 1,200
    mtm wrote: »
    Have you seen different adaptations of Macbeth? Or any other classic where a main character dies?

    No, I've not seen that play as a movie.
    But it's not a series of films based around one character is it? It's just one story. The comparison with James Bond movies doesn't really work for me.

  • mtmmtm United Kingdom
    edited October 10 Posts: 19,331
    mtm wrote: »
    Have you seen different adaptations of Macbeth? Or any other classic where a main character dies?

    No, I've not seen that play as a movie.
    But it's not a series of films based around one character is it? It's just one story. The comparison with James Bond movies doesn't really work for me.

    I don't see why the number of episodes makes a difference. It’s a character adapted in a screen form more than once who dies. Even if you’ve seen it as a play it’s the same situation.
    How about Robin Hood? Have you seen any different versions of that? He dies in the stories too, and his adventures are made up of different episodes. I'm sure there's other ones who have been adapted more than once.
  • Posts: 1,200
    I don't know what to say. Macbeth is a single play, the James Bond movies are a series of ongoing episodic adventures. They're many stories, not just one.
    What's Robin Hood? I dunno. Folklore made into books and movies I suppose.
    They're all different to me.
    I don't know what else to say on this one bud.
  • mtmmtm United Kingdom
    Posts: 19,331
    Well if they’re all somehow different, then Bond isn’t fantasy, because that’s different too.
  • Posts: 2,242
    I'm going with where I find Bond novels in the bookstore. Fiction, mystery. Not the fantasy aisle.
  • edited 7:17am Posts: 1,200
    It's obvious from the comments on this board that most here find James Bond's nearest cinematic equivalent to be Batman, (just scroll up on this thread and see how many times he's mentioned). I think that's my undoing on this board. I see James Bond as a literary creation based in the spy and crime world, not a super-hero with special powers. I don't think the 'multi-verse' idea suits the world of James Bond, and the movie series lost a lot of credibility for me, by killing him off and then telling us he'll return at the end of the movie. But if people see movie Bond as a Batman type of super-hero, with his own timelines and 'incarnations', I can see how they're much more comfortable with him dying and coming back.
    See, I don't watch super-hero movies. I like dramas. That's my problem.
    Going back to the subject of the thread, I hope Amazon take a good look at the 'classic Bond' era of Movies (Sean and Rog), and take the elements from those films that worked. And show a Bond that enjoys his work too, ("Hilly, you old devil"). I worry that these days, a movie character will always need an inner reason to womanise and enjoy danger. I want a screen Bond that goes back to that (untrendy) male fantasy figure.
    James Bond in the movies always used to be 'the man every man wanted to be'. I hope they go back to that. In the Craig era, he was often 'the man you're glad you're not'. I don't want that from a JB movie.
  • mtmmtm United Kingdom
    edited 7:58am Posts: 19,331
    Robin Hood, Sherlock Holmes, the Saint, Jason Bourne, George Smiley, Hercule Poirot, Inspector Morse etc. Reggie Perrin, Fletcher from Porridge even - these aren’t superheroes.
    I don’t get how someone can’t have seen more than one version of the same material before. Romeo & Juliet isn’t about ‘multiverses’, it’s just people putting on productions of the same characters.
  • Posts: 281
    Batman is like action/drama, Bond is action/adventure/thriller. Both characters driven by something inside.
  • edited 8:26am Posts: 6,070
    mtm wrote: »
    Robin Hood, Sherlock Holmes, the Saint, Jason Bourne, George Smiley, Hercule Poirot, Inspector Morse etc. Reggie Perrin, Fletcher from Porridge even - these aren’t superheroes.
    I don’t get how someone can’t have seen more than one version of the same material before. Romeo & Juliet isn’t about ‘multiverses’, it’s just people putting on productions of the same characters.

    I know, none of this is complicated! We’re not dealing with multiverse stuff (that’s genuinely superhero and fantasy stuff - the next Bond isn’t going to jump in a portal and meet with Craig’s Bond). It’s just that this character - who’s been around for many decades - has to go on through various mediums. It’s never going to be set in the same time period, nor will he have the exact same likeness in visual media.

    Stubborn fans digging in their heels 😉 I do understand not liking Bond’s death, but it’s something that was going to happen at some point in the various media this character is depicted in. Kingsley Amis had a short story planned where he was going to kill off an older Bond. I’m sure had that been done we’d have gotten a reboot of the literary Bond years down the line, and the story would be one of the many additions to the character. If anyone’s read ‘The Killing Zone’ which is an unofficially published Bond novel, Bond dies in that.
  • MSL49MSL49 Finland
    Posts: 710
    CrabKey wrote: »
    I'll see the film no matter what. I fully expect the new Bond actor will take some getting used to: he's not Sean, not George, not Rog, not Tim, not Pierce, not Dan. If anything, I expect more of something along the lines of Mission Impossible in terms of style, story, and look -- almost too polished and A.I.ed. I would love a film that has a Connery vibe, but I'm not sure if anyone these days would know how to do that. It needs to feel like a Bond film instead of an action/thriller that could have been any other film without calling the main character James Bond. Let's hope it's not a Jason Statham film without JS or an F&F defying the laws of gravity film, a something like Kinsmen or any of those hyper-stylized films. And yes, let's have some gratuitous sex and violence.

    Agreed Bond 7 will get something from his predecessors.
  • Posts: 839
    The literary series has already been rebooted at least three times. I know John Gardner was following Fleming's continuity, but Bond's only supposed to be a few years older at the start of his series, even though it had been almost two decades since the last Fleming book. Whatever way you cut it, that makes no sense.

    And how old is Bond supposed to be by the time of the final Benson novel in the early-2000s?! He must be at least 70-odd. Double-0s are supposed to be over the hill at 45. And, since then of course, we've had CB and OHiMSS, which are very explicit reboots. And I'm not sure where the Bond of the Kim Sherwood books fits in (since I haven’t read them), so that's potentially a fourth literary incarnation.
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