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Comments
Adventurous and fun. And the drama can come from the Bond Girl or another character, rather than Bond's own history.
I'd dare say that the budget of GE is on the screen. I think the film looks more expensive than it was. TLD to me was the last true classic Bond adventure. Barry supplying his last soundtrack, a script that has the tropes of Bond but freshens them up, so while Bond dons the tux it isn't for a casino sequence.
Although GE was the big presentation after the 6-year gap, it just didn't satisfy the way TLD did. After two Dalton films that were more Fleming-based, we're back to more of what would please the widest audience: the space hardware manipulated by a disfigured villain, another renegade Russian general, an outrageous henchwoman and on top of that there were of all the updates for the time that got the film off to such a slow start.
TLD was more like of being unsure about who will actually play the part (whether continuing the direction where Moore had left off, or change the tone entirely, funnily enough, Brosnan was considered for TLD), while playing it safe with all the tropes present in, but as a result, it came off as convoluted, quite confused of which tone it would play.
Meanwhile, GE have managed to balanced the tone more between seriousness, drama, and Cold War Thriller, while keeping the elements that made Bond special, it's the 'certain' debut Bond film of the two.
And like Judi Dench M said: "I miss the Cold War", it's been overdue.
GE is a much more mature Bond film in my opinion. You get this wonderful blend of darkness, sadistic violence, and grittiness, mixed with the usual humour and outlandishness of Bond. Cinematography wise it’s more atmospheric, and as others have said its budget is clearly onscreen. It just feels more like what I’d expect from a modern Bond film.
That said I hope the score of the next film will be more TLD than GE!