Controversial opinions about Bond films

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  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    Octopussy wrote: »
    MaxCasino wrote: »
    Daniel316 wrote: »
    Yes I very much agree!! I really do like The Spy Who Loved Me a lot but the pacing is one of my biggest problems with it, if they solved that issue, made Stromberg as great as Drax and made Anya feel more alive and less robotic and maybe have a better musical score though I don't mind Marvin Hamlisch's score for the film then it'd be on par with MR imo and maybe even better. Still as it stands both are excellent and are a great source of entertainment.

    Thank you for summarizing my opinions. It’s far from a bad movie, just minor nitpicking and major pacing problems in the third act, and it’s still a fun ride.

    Moonraker is better then The Spy Who Loved Me as it is a more refined version of that line of thinking for the film. TSWLM was almost a transitional film between TMWTGG and MR in terms of tone. I must say I've always loved Hamlisch's score, but you can't compete with John Barry's haunting Moonraker soundtrack.

    MR over TSWLM???


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  • OctopussyOctopussy Piz Gloria, Schilthorn, Switzerland.
    Posts: 1,081
    Octopussy wrote: »
    MaxCasino wrote: »
    Daniel316 wrote: »
    Yes I very much agree!! I really do like The Spy Who Loved Me a lot but the pacing is one of my biggest problems with it, if they solved that issue, made Stromberg as great as Drax and made Anya feel more alive and less robotic and maybe have a better musical score though I don't mind Marvin Hamlisch's score for the film then it'd be on par with MR imo and maybe even better. Still as it stands both are excellent and are a great source of entertainment.

    Thank you for summarizing my opinions. It’s far from a bad movie, just minor nitpicking and major pacing problems in the third act, and it’s still a fun ride.

    Moonraker is better then The Spy Who Loved Me as it is a more refined version of that line of thinking for the film. TSWLM was almost a transitional film between TMWTGG and MR in terms of tone. I must say I've always loved Hamlisch's score, but you can't compete with John Barry's haunting Moonraker soundtrack.

    MR over TSWLM???


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    This is the controversial opinions thread, right?
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    It is!

    A reason I put MR ahead: In TSWLM they try to add some conflict between Bond and Anya over what happened with her boyfriend, but I always had a hard time buying that due to Barbara Bach not being a good enough actress to sell the scene with her giving Bond the warning that she'll kill him.

    In MR, there's none of that business. Lois Chiles may not be a master thespian, but at least the filmmakers know better to just give her nothing more than a bit of fun banter with Moore, and he looks like he's having more fun with their repartee than he did in TSWLM. To me this is just an example of why I find MR better: It's more confident and assured of itself. It's the filmmakers running a victory lap after having TSWLM be a huge success. It's very much a lark of a film, and that's why I find it more entertaining. Someone once described it as the cinematic equivalent of a pantomime production and that makes 1000% sense given it features a double taking pigeon.

    And that pigeon is GLORIOUS.
  • Posts: 12,273
    They’re both very enjoyable, but I still strongly prefer TSWLM overall. A lot of that could be tied to nostalgia (it was one of my earliest and most beloved Bond films from an early age), but I also feel like it’s because I enjoy that while it’s big and over-the-top, it doesn’t go quite as overboard on the silly factor as MR does. I have warmed to MR’s silliness quite a bit, but I still prefer a slightly less drastic dose of that which TSWLM has.

    I prefer the Bond girls, story, henchmen, and Moore’s performance in TSWLM as well. I’d say I prefer the score and main villain in MR, and then a lot of other elements are near-equals (action, PTS, locations, etc.). Both are classic epic-scale Bond adventures for sure! No one did “big” Bond better than Lewis Gilbert.
  • Posts: 17,297
    Personally I think I would have loved MR as long as they had dropped going into space. Space battles and sci-fi doesn't interest me one bit, and that's where I lose interest in the film. Up to that point, I really enjoy it.
  • OctopussyOctopussy Piz Gloria, Schilthorn, Switzerland.
    Posts: 1,081
    It is!

    A reason I put MR ahead: In TSWLM they try to add some conflict between Bond and Anya over what happened with her boyfriend, but I always had a hard time buying that due to Barbara Bach not being a good enough actress to sell the scene with her giving Bond the warning that she'll kill him.

    In MR, there's none of that business. Lois Chiles may not be a master thespian, but at least the filmmakers know better to just give her nothing more than a bit of fun banter with Moore, and he looks like he's having more fun with their repartee than he did in TSWLM. To me this is just an example of why I find MR better: It's more confident and assured of itself. It's the filmmakers running a victory lap after having TSWLM be a huge success. It's very much a lark of a film, and that's why I find it more entertaining. Someone once described it as the cinematic equivalent of a pantomime production and that makes 1000% sense given it features a double taking pigeon.

    And that pigeon is GLORIOUS.

    My man! These are more reasons why Moonraker is the superior film. I have also said before on this forum that I feel like this is Moore's best performance in the role. He never gave us a bad performance, but to me he really hits his straps in MR.





    The opening sequence of Moonraker has to be one of the best in the series and the fact that it was done for real makes it even more enthralling. Don't get me wrong, Roger skiing down the mountain to Hamlisch's disco score in a yellow ski suit is undeniably iconic, but Moonraker takes it to an entirely different level, IMO. I've also always found Stromberg to be rather bland as a villain, whereas Lonsdale's portrayal of Drax is pure indulgence. The way he speaks alone is better then anything that Stromberg brings to the table.

    Everything in Moonraker is more refined in terms of outlandish thinking when approaching a Bond film. It's pure, unadulterated fun. That being said, it does have some more darker, Flemingesque moments such as the Centrifuge or Corinne's death.
  • CommanderRossCommanderRoss The bottom of a pitch lake in Eastern Trinidad, place called La Brea
    Posts: 7,978

    And that pigeon is GLORIOUS.

    I think this is one of the most controversial things I've read here! I'd never call that pigeon glorious, it's actually one of the things of the Moore era I don't like. Same with the fish out of the car in tswlm. To me both films are on par. Both leading ladies are dead in the water, both villains over the top (that's a good thing here), both plots basically the same. Funny thing is that though MR may feel like the most unlikely film, it's probably Tswlm with the most 'unrealism' considering the technical difficulties to overcome.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    I wouldn't call Drax over the top. His deadpan delivery is actually wonderful and contrasts with the craziness that's going all around him. Him and John Barry practically help keep the film grounded in a way to prevent the film from going too over the top. Contrast that with Jonathan Pryce, who's just playing a ham from scene one in a film that's already loud.
  • OctopussyOctopussy Piz Gloria, Schilthorn, Switzerland.
    Posts: 1,081
    I wouldn't call Drax over the top. His deadpan delivery is actually wonderful and contrasts with the craziness that's going all around him. Him and John Barry practically help keep the film grounded in a way to prevent the film from going too over the top. Contrast that with Jonathan Pryce, who's just playing a ham from scene one in a film that's already loud.

  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    I really wish John Woo directed TND, he would have given it more pizzazz.
  • edited February 2020 Posts: 17,297
    Octopussy wrote: »
    I wouldn't call Drax over the top. His deadpan delivery is actually wonderful and contrasts with the craziness that's going all around him. Him and John Barry practically help keep the film grounded in a way to prevent the film from going too over the top. Contrast that with Jonathan Pryce, who's just playing a ham from scene one in a film that's already loud.


    Controversial opinion. I ABSOLUTELY LOVE Jonathan Pryce in TND.
  • Posts: 6,822
    Mathis1 wrote: »
    octofinger wrote: »
    I'll chime in a bit late on TB.

    It's a stunning film to look at in many ways, and to me is the beginning of "Blockbuster Bond," and Cubby's ethos of putting all the money up on the screen. The locations feel exotic, and the lineup of women is unparalleled. Just . . . staggering.

    And yet: I also think it marks the beginning of the self-indulgence that reached its peak in the Moore era and weakened the movies. Sometimes the right thing to do is to leave something on the cutting room floor, to imply the joke without telling it, or to lead us to the water without forcing us to drink.

    The opening sequence alone is pretty egregious: Bond beats a villain in drag to death, escapes on a jet pack (!), then defeats some pistol-wielding henchmen with water canon built into his car? . . . Maybe have 1 of those ideas in the first 5 minutes, not all 3!

    The Pts should have ended with Bond exiting the room after he tosses the flowers, but it may have been too similar to GF!
    Still I do like when the water cannon segues into the titles sequence! Maybe if they just left out the jet pack?

    I think they put in the jetpack there as it wouldn't have been able to fly any further. It's a rather elaborate way of escaping abot 500 meters. So yes, they could've left it out. But I guess they wanted to show the edge of what was technically possible.
    The jetpack would have been cooler if he hadn't worn that awful helmet...🤨

    The story goes that the chap who actually flies the jetpack refused to do it without a helmet, on safety grounds, so they had to have Connery wear one. They could have picked a cooler one though, I agree!
  • suavejmfsuavejmf Harrogate, North Yorkshire, England
    Posts: 5,131
    Octopussy wrote: »
    I wouldn't call Drax over the top. His deadpan delivery is actually wonderful and contrasts with the craziness that's going all around him. Him and John Barry practically help keep the film grounded in a way to prevent the film from going too over the top. Contrast that with Jonathan Pryce, who's just playing a ham from scene one in a film that's already loud.


    Controversial opinion. I ABSOLUTELY LOVE Jonathan Pryce in TND.

    Very controversial. I think he’s one of the weakest Villains in the series. Weak, wet, pantomime, unthreatening and no chemistry whatsoever with Paris Carver.
  • Posts: 6,822
    suavejmf wrote: »
    Octopussy wrote: »
    I wouldn't call Drax over the top. His deadpan delivery is actually wonderful and contrasts with the craziness that's going all around him. Him and John Barry practically help keep the film grounded in a way to prevent the film from going too over the top. Contrast that with Jonathan Pryce, who's just playing a ham from scene one in a film that's already loud.


    Controversial opinion. I ABSOLUTELY LOVE Jonathan Pryce in TND.

    Very controversial. I think he’s one of the weakest Villains in the series. Weak, wet, pantomime, unthreatening and no chemistry whatsoever with Paris Carver.

    +1.
  • Here's one for you:

    First, a few assumptions. Let's say that NTTD is definitely Craig's final Bond film, and that it does well. Let's also say that EON agrees that you can't really do more 'dark and intense' than Craig did, and that Austin Powers effectively parodied the high camp approach to death, so the next actor will aim to blend a bit of ruthlessness with more charm and wit than Craig. Bringing back the humor, escapism, and fun in a measured way.

    If this is case, surely it rules out people like Nolan and Villeneuve, who specialize in the kind of palette and story that EON is moving away from?

    Therefore: why not Taika Waititi as director for B26? He's proved he's able to play within the structure of a big franchise while leaving a personal stamp on things. And he definitely delivers colour, humour and action well.
  • Posts: 1,883
    Count me in for MR over TSWLM. I've shared before that seeing MR in the summer of '79 was the film that clinched my becoming the Bond fan I am today. It captured my imagination and made me go back and find renewed interest in the series, all of which I'd seen but sort of drifted away from as films like Star Wars dominated by mind by then.

    I never saw TSWLM until it's network television debut, which left me rather underwhelmed. It also didn't help that many over the years dismissed MR as being awful and TSWLM played up.

    It leads to one of my great personal Bond what ifs: I was supposed to see TSWLM at the cinema in '77 but had a chance to go see a Cincinnati Reds baseball game, they were defending world champs at the time, and chose to do that. I wonder if it would've made me a bigger Bond fan and if it would've been a favorite instead of middling as it is now.
  • Posts: 1,640
    You can trash Carver all you like but the thing is hes actually funny unlike a certain southern sheriff who to me is a bit of a chore
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    octofinger wrote: »
    Here's one for you:

    First, a few assumptions. Let's say that NTTD is definitely Craig's final Bond film, and that it does well. Let's also say that EON agrees that you can't really do more 'dark and intense' than Craig did, and that Austin Powers effectively parodied the high camp approach to death, so the next actor will aim to blend a bit of ruthlessness with more charm and wit than Craig. Bringing back the humor, escapism, and fun in a measured way.

    If this is case, surely it rules out people like Nolan and Villeneuve, who specialize in the kind of palette and story that EON is moving away from?

    Therefore: why not Taika Waititi as director for B26? He's proved he's able to play within the structure of a big franchise while leaving a personal stamp on things. And he definitely delivers colour, humour and action well.

    Taika Waititi would be a wonderful get for EON if they want to take the series in a lighter route.
  • cwl007cwl007 England
    Posts: 611
    100% agree. I nearly suggested him on the director thread the other day but forgot.
    I think the way he delivered a funny, entertaining take on Thor while managing to respect the character set up in the first 2 films was great. Could act as a bit of a blue print for how to tweak Bond into a lighter take if a change of tone is indeed what EON go for.
  • MajorDSmytheMajorDSmythe "I tolerate this century, but I don't enjoy it."Moderator
    Posts: 13,894
    On the subject of TSWLM, Stromberg is one of the series' better villains. Not top 3, but definitely somewhere in my top 10.
  • MakeshiftPythonMakeshiftPython “Baja?!”
    Posts: 8,025
    I always felt Stromberg was pretty boring. Just a generic old guy. Whoever the actor is always looks like he’s about to fall asleep.
  • suavejmfsuavejmf Harrogate, North Yorkshire, England
    Posts: 5,131
    Tracy wrote: »
    You can trash Carver all you like but the thing is hes actually funny unlike a certain southern sheriff who to me is a bit of a chore

    A Bond villain isn’t supposed to be funny? It’s not Austin Powers!
  • Daniel316Daniel316 United States
    edited February 2020 Posts: 210
    Suavejmf: uhhh what? A bond villain can be funny and still work, when has it ever been stated that they can't be? What kind of sense does that make lol. Seriously where did you pick that up?

    Birdleson: Yes!! Thank you I'm glad I'm not the only one who finds Charles Grey to be great, actually that's probably my controversial opinion: Charles Grey is the best Blofeld by a wide margin
  • ProfJoeButcherProfJoeButcher Bless your heart
    Posts: 1,692
    Pleasance Blofeld, Gray Blofeld, Drax, Khan, Orlov, Zorin, Whitaker, Koskov, Sanchez, Carver, Graves, Silva, Waltz Blofeld--all of these are intentionally funny to some degree.
  • Daniel316Daniel316 United States
    edited February 2020 Posts: 210
    Precisely they are, they all have moments of humorous nature, and for the most part I enjoy all the ones above to varying degrees with the exception of Koskov and Silva. But it's interesting that a few of the ones above (Pleasence, Silva, Drax, Sanchez, and Zorin) are highly regarded by most of the Fandom, so clearly Humor in Bond villains isn't a problem in the slightest, it's not the attribute of humor that's bad (it's foolish to think so imo) but rather how it's executed but really any element is normally either bad or good depending on the Execution, just the nature of the beast so to speak.
  • ThunderfingerThunderfinger Das Boot Hill
    Posts: 45,489
    Birdleson wrote: »
    On the subject of TSWLM, Stromberg is one of the series' better villains. Not top 3, but definitely somewhere in my top 10.

    You and I are pretty alone, but I enjoy him as well.

    I too love Stromberg. he is one of the highlights of the film.
  • suavejmfsuavejmf Harrogate, North Yorkshire, England
    Posts: 5,131
    Daniel316 wrote: »
    Suavejmf: uhhh what? A bond villain can be funny and still work, when has it ever been stated that they can't be? What kind of sense does that make lol. Seriously where did you pick that up?

    Birdleson: Yes!! Thank you I'm glad I'm not the only one who finds Charles Grey to be great, actually that's probably my controversial opinion: Charles Grey is the best Blofeld by a wide margin

    They can have wit, sure. But not an outright ‘pantomime dame’ like Carver.
  • CommanderRossCommanderRoss The bottom of a pitch lake in Eastern Trinidad, place called La Brea
    Posts: 7,978
    suavejmf wrote: »
    Daniel316 wrote: »
    Suavejmf: uhhh what? A bond villain can be funny and still work, when has it ever been stated that they can't be? What kind of sense does that make lol. Seriously where did you pick that up?

    Birdleson: Yes!! Thank you I'm glad I'm not the only one who finds Charles Grey to be great, actually that's probably my controversial opinion: Charles Grey is the best Blofeld by a wide margin

    They can have wit, sure. But not an outright ‘pantomime dame’ like Carver.
    He plays a media mogul. I think if you look at current media moguls you'll find they're often 'pantomime', especially compared to bankers etc. I think he plays his role very well and love the arrogant character they made of him. He doesn't have chemistry with Lois, true, but neither does Bond. The whole common background should've been skipped. Bond should be charming enough to bed the estranged wife of a media mogul without beeing a former fling. Would've saved us the cringeworthy 'is it something I said' pun as well...
  • Daniel316Daniel316 United States
    Posts: 210
    The whole Paris Carver element of TND feels weak and stitched on to add layers of depth and personal nature to a plot that imo didn't need it all too much.
  • suavejmfsuavejmf Harrogate, North Yorkshire, England
    edited February 2020 Posts: 5,131
    suavejmf wrote: »
    Daniel316 wrote: »
    Suavejmf: uhhh what? A bond villain can be funny and still work, when has it ever been stated that they can't be? What kind of sense does that make lol. Seriously where did you pick that up?

    Birdleson: Yes!! Thank you I'm glad I'm not the only one who finds Charles Grey to be great, actually that's probably my controversial opinion: Charles Grey is the best Blofeld by a wide margin

    They can have wit, sure. But not an outright ‘pantomime dame’ like Carver.
    He plays a media mogul. I think if you look at current media moguls you'll find they're often 'pantomime', especially compared to bankers etc. I think he plays his role very well and love the arrogant character they made of him. He doesn't have chemistry with Lois, true, but neither does Bond. The whole common background should've been skipped. Bond should be charming enough to bed the estranged wife of a media mogul without beeing a former fling. Would've saved us the cringeworthy 'is it something I said' pun as well...

    If that’s the case media moguls make for a very poor Bond Villain then. I thought Brosnan’s Bond had chemistry with Paris and the ‘former fling’ element was a decent plot point.
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