EoN sells up - Amazon MGM to produce 007 going forwards (Steven Knight to Write)

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  • edited November 13 Posts: 6,358
    I can't imagine them completely throwing away things like the Bond theme or gunbarrel, or some of the distinct iconography/formula beats (the martinis, tuxedos, and even an M briefing or a Q scene etc).

    I can imagine them completely reworking them in some way. So in that way we might get something less directly referential to the imagery of past Bond films than the Craig era, nor necessarily something as 'formula' breaking. It'll instead be a new take (probably even quite a radical one) on what we see as a Bond adventure. It'll a different type of Bond in a different context, with those broad tropes reinterpreted, but still fundamentally there perhaps. I know it's a film I harp on about, but it could well be a bit like The Batman reworking certain tropes for that character/world, essentially keeping them the same in spirit, but doing something different - ie. the Bat cave is now an abandoned underground train station, Wayne manor is now Wayne Tower and in the heart of the city, Bruce Wayne is an isolated loner without the playboy persona yet, Riddler is now a sort of Zodiac-esque serial killer, and Gotham is a sort of Seven-esque Neo noir city. Complete speculation incidentally, but I can imagine a not dissimilar creative instinct driving Bond 26 and that 'same but different' approach. It would certainly give us some creative reworkings.
  • mtmmtm United Kingdom
    edited November 13 Posts: 19,591
    I totally agree that all of the nostalgia, looking-back stuff we've had since, well GE really, needs to go. No DB5, no one walking out of the ocean sexily, no jetpacks, no portraits of old Ms. But there is one thing I would quite like to keep, and that's M's office. I think GE was right to redesign it, but I rather like that it's returned to the same basic set that it was in '62. I don't mind everything else changing (well okay, keep the Bond theme, surreal titles, and gunbarrel) but I'd quite like for that to stay on as it is please.
  • edited November 13 Posts: 6,358
    I suppose a cool practical/story reason for keeping M's office the same design is that it highlights this idea that it's a truly confidential area. No computer, not really any significant technology apart from an intercom and maybe a slide projector etc. There's even that thick double door. It's stuck in time almost, a room where some of the most sensitive information of the British government has been relayed. Redesign it slightly to maybe to have closing curtains for the windows during Bond's briefing and I think that'd be cool.
  • mtmmtm United Kingdom
    Posts: 19,591
    Yes that's fun, I like that. I liked the GE design, but I did always think that they could have kept the padded door at least; everyone remembers the padded door! :)
  • LucknFateLucknFate 007 In New York
    Posts: 2,238
    I'm ok with sexy people walking out of oceans. We can keep that.
  • I think visually, Villeneuve's Bond is going to be highly influenced by Mendes' style of shooting Bond as a Silhouette. Fukunaga also did that with Bond. Also, I think the big-looking Ken Adam set style that NTTD had, might continue into Villeneuve's Bond in an even bigger way.

    It's likely because of Roger Deakins, but Skyfall really looks like a Denis Villeneuve movie. If you were to show someone the trailer and ask who they think the director is, I'm sure the most frequent guess would far and away be him.

  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,998
    I think Knight has already given us a hint. "The same, but different".
  • DaltonforyouDaltonforyou The Daltonator
    edited November 13 Posts: 959
    I agree, I feel a Villinueve Bond could be a spiritual sequel to Skyfall. I think one of the reasons he was hired is because Amy Pascal last worked on Bond with Spectre so perhaps she wanted somebody similar. I just hope they keep the humour.
  • Mendes4LyfeMendes4Lyfe Edward Berger for Bond 27
    Posts: 9,415
    I agree, I feel a Villinueve Bond could be a spiritual sequel to Skyfall. I think one of the reasons he was hired is because Amy Pascal last worked on Bond with Spectre so perhaps she wanted somebody similar. I just hope they keep the humour.

    Pass.
  • DaltonforyouDaltonforyou The Daltonator
    edited November 13 Posts: 959
    I agree, I feel a Villinueve Bond could be a spiritual sequel to Skyfall. I think one of the reasons he was hired is because Amy Pascal last worked on Bond with Spectre so perhaps she wanted somebody similar. I just hope they keep the humour.

    Pass.

    I wouldn't be opposed to it. In fact, it might be the best case scenario for a Villinueve film.
  • edited 4:47am Posts: 2,060
    peter wrote: »
    delfloria wrote: »
    I wonder how many people here are going to have the same reaction to the new Bond's direction that the Connery fans had to Craig.

    In what way @delfloria ? I was/am a Connery fan and when Craig was announced I was very curious.

    I had seen "Layer Cake" and felt he could play the part but felt he was not classically handsome enough. Too much running around, not enough cool, assured sophisticated gentleman spy.................too much like Bourne Identity and less like TB. Now that does not mean I disliked the film and Bond's return to Fleming. The Craig films were just a little too different from what I personally like, as a Connery era fan. I went along for the ride but it wasn't my 007. At least there were no double take pigeons.

    QUOTE:
    My dad grew up a huge Connery Bond fan. He was angry when Craig was announced. I had to do some serious convincing to get him to see CR with me while on Christmas leave. Id already seen it twice.

    He walked out totally blown away[/quote]


    Exactly...........................it took a lot of convincing to get your dad to see CR. Will DC fans have to be convinced to give the new Bond a chance?

  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    Posts: 2,998
    I think visually, Villeneuve's Bond is going to be highly influenced by Mendes' style of shooting Bond as a Silhouette. Fukunaga also did that with Bond. Also, I think the big-looking Ken Adam set style that NTTD had, might continue into Villeneuve's Bond in an even bigger way.

    It's likely because of Roger Deakins, but Skyfall really looks like a Denis Villeneuve movie. If you were to show someone the trailer and ask who they think the director is, I'm sure the most frequent guess would far and away be him.


    Yeah. Even the Jellyfish fight sequence looks like something Villeneuve can direct...with the neon lights and all that.
  • LucknFateLucknFate 007 In New York
    Posts: 2,238
    I imagine something like Sicario but from the perspective of Benicio del Toro's character the whole time. Hopefully would mean more action, but I expect similar tone.
  • edited 12:14pm Posts: 6,358
    I suppose Blade Runner 2049 has moments and characters in there that could conceivably be in a Bond film, so perhaps that's not a bad reference for what this might look like (albeit in a very generalised way, and of course it's very much dependent on what they do).

    I don't think we're getting a 'spiritual sequel' to SF or anything. But I do agree Villeneuve's films aren't actually far off the later Bond films in many respects.
  • Mendes4LyfeMendes4Lyfe Edward Berger for Bond 27
    edited 12:47pm Posts: 9,415
    007HallY wrote: »
    I suppose Blade Runner 2049 has moments and characters in there that could conceivably be in a Bond film, so perhaps that's not a bad reference for what this might look like (albeit in a very generalised way, and of course it's very much dependent on what they do).

    You mean like Hinx? And Paloma?
  • LucknFateLucknFate 007 In New York
    Posts: 2,238
    007HallY wrote: »
    I suppose Blade Runner 2049 has moments and characters in there that could conceivably be in a Bond film, so perhaps that's not a bad reference for what this might look like (albeit in a very generalised way, and of course it's very much dependent on what they do).

    You mean like Hinx? And Paloma?

    So close! You're thinking of the actors, sweety. The characters of Paloma and Hinx are not from Blade Runner.
  • SecretAgentMan⁰⁰⁷SecretAgentMan⁰⁰⁷ Lekki, Lagos, Nigeria
    edited 1:25pm Posts: 2,998
    I agree with @007HallY Blade Runner 2049 is the one I look to, when trying to imagine what Villeneuve's Bond would look and feel like. Although, with more action and a much lesser dystopian look. Also, for a very serious director, I can imagine Villeneuve's James Bond with gadgets.
  • edited 2:41pm Posts: 6,358
    007HallY wrote: »
    I suppose Blade Runner 2049 has moments and characters in there that could conceivably be in a Bond film, so perhaps that's not a bad reference for what this might look like (albeit in a very generalised way, and of course it's very much dependent on what they do).

    You mean like Hinx? And Paloma?

    Sure. ;) Different characters obviously, but you've got villains and hench-women in that film who wouldn't look entirely out of place in Bond (obviously with story adjustments). K is even a sort of blunt instrument who questions his job. Just write that with Bond's humour and love of adventure, and that's really not miles away from a Fleming-esque take on Bond that could be great.
    I agree with @007HallY Blade Runner 2049 is the one I look to, when trying to imagine what Villeneuve's Bond would look and feel like. Although, with more action and a much lesser dystopian look. Also, for a very serious director, I can imagine Villeneuve's James Bond with gadgets.

    That film's growing on me on rewatches for sure. There's something quite Bondian about a lot of it (I quite like the fact that K's doing investigations/detective work too in that Noir-ish way, similar to how Bond would in, say, the earliest movies and Fleming. I'd love if we got a bit more of that in Bond 26).

    But yeah, whatever we eventually get, that's the film that gives me the most confidence in Villeneuve. For anyone who's maybe not watched it or rewatched it recently I'd actually recommend giving it a look. So many scenes in there that I can imagine more or less in a Bond film, and there's even a few one liners and some dark humour in there that show Villeneuve can handle these things. At the very least he managed to give us a sequel to a very distinctive film with his own spin on it. Surely that counts for something?
  • Mendes4LyfeMendes4Lyfe Edward Berger for Bond 27
    Posts: 9,415
    The 3 biggest concerns of Villeneuve taking over Bond in no particular order.

    1. Does Villeneuve GET what makes a Bond film work?

    2. Can he do dynamic, cinematic and exciting action scenes that aren't too grounded and slow.

    3. Does Villeneuve understand that Bond films don't need to be weighted down with drama, and he has to approach it as cinematic spectacle. There's needs to be some crowd-pleasing moments.
  • edited 2:54pm Posts: 6,358
    The 3 biggest concerns of Villeneuve taking over Bond in no particular order.

    1. Does Villeneuve GET what makes a Bond film work?

    2. Can he do dynamic, cinematic and exciting action scenes that aren't too grounded and slow.

    3. Does Villeneuve understand that Bond films don't need to be weighted down with drama, and he has to approach it as cinematic spectacle. There's needs to be some crowd-pleasing moments.

    I would say to all those -

    1) He's actually spoken quite a bit about Bond movies, and I suspect a lot of what went into Blade Runner 2049 was very much inspired by James Bond films. I suspect he has a good understanding of what would make a Bond film work, or at the very least is going to be doing some deep thinking about it for this job!

    2) I suppose you can criticise, say, Blade Runner 2049 for having a slow pace at points (although that was the case with the original, and I think it's done consciously). My God those action scenes/fights are thrilling and tense in my opinion. I wouldn't call them grounded necessarily, and there's a hell of a lot of spectacle to them, but they feel real for the film which I think is important.

    3) Can't speak for him, but I have no doubt everyone making this film understands that these films are made to be cinematic spectacles. But I also think they'll be going into it wanting to tell the most compelling story they can. That's what writing a script is all about!

    Again, I'm not exactly his biggest fan, and I've never even been too keen on Sicario or the Dune films. But I do see a lot of signs that he's very well qualified and capable of directing a Bond film. Honestly, EON gave us stranger choices.
  • BennyBenny Shaken not stirredAdministrator, Moderator
    Posts: 15,622
    In all three questions we as fans and an audience get a no!
    We have no say on what Denis Villeneuve or any other member of the production of Bond 26 does. And rightfully so.
    A Bond film should not be made by fans.
    Amazon along with David Heyman and Amy Pascal have entrusted Denis Villeneuve too direct and deliver the next Bond film.
    Can we not wait to see what he does?
  • Mendes4LyfeMendes4Lyfe Edward Berger for Bond 27
    edited 2:59pm Posts: 9,415
    007HallY wrote: »
    The 3 biggest concerns of Villeneuve taking over Bond in no particular order.

    1. Does Villeneuve GET what makes a Bond film work?

    2. Can he do dynamic, cinematic and exciting action scenes that aren't too grounded and slow.

    3. Does Villeneuve understand that Bond films don't need to be weighted down with drama, and he has to approach it as cinematic spectacle. There's needs to be some crowd-pleasing moments.

    I would say to all those -

    1) He's actually spoken quite a bit about Bond movies, and I suspect a lot of what went into Blade Runner 2049 was very much inspired by James Bond films. I suspect he has a good understanding of what would make a Bond film work, or at the very least is going to be doing some deep thinking about it for this job!

    2) I suppose you can criticise, say, Blade Runner 2049 for having a slow pace at points (although that was the case with the original, and I think it's done consciously). My God those action scenes/fights are thrilling and tense in my opinion. I wouldn't call them grounded necessarily, and there's a hell of a lot of spectacle to them, but they feel real for the film which I think is important.

    3) Can't speak for him, but I have no doubt everyone making this film understands that these films are made to be cinematic spectacles. But I also think they'll be going into it wanting to tell the most compelling story they can. That's what writing a script is all about!

    Again, I'm not exactly his biggest fan, and I've never even been too keen on Sicario or the Dune films. But I do see a lot of signs that he's very well qualified and capable of directing a Bond film. Honestly, EON gave us stranger choices.

    Fair enough, although saying you dislike him on the whole but have no doubts he'll deliver the goods is more confusing than it is illuminating. :-?
  • edited 3:26pm Posts: 6,358
    007HallY wrote: »
    The 3 biggest concerns of Villeneuve taking over Bond in no particular order.

    1. Does Villeneuve GET what makes a Bond film work?

    2. Can he do dynamic, cinematic and exciting action scenes that aren't too grounded and slow.

    3. Does Villeneuve understand that Bond films don't need to be weighted down with drama, and he has to approach it as cinematic spectacle. There's needs to be some crowd-pleasing moments.

    I would say to all those -

    1) He's actually spoken quite a bit about Bond movies, and I suspect a lot of what went into Blade Runner 2049 was very much inspired by James Bond films. I suspect he has a good understanding of what would make a Bond film work, or at the very least is going to be doing some deep thinking about it for this job!

    2) I suppose you can criticise, say, Blade Runner 2049 for having a slow pace at points (although that was the case with the original, and I think it's done consciously). My God those action scenes/fights are thrilling and tense in my opinion. I wouldn't call them grounded necessarily, and there's a hell of a lot of spectacle to them, but they feel real for the film which I think is important.

    3) Can't speak for him, but I have no doubt everyone making this film understands that these films are made to be cinematic spectacles. But I also think they'll be going into it wanting to tell the most compelling story they can. That's what writing a script is all about!

    Again, I'm not exactly his biggest fan, and I've never even been too keen on Sicario or the Dune films. But I do see a lot of signs that he's very well qualified and capable of directing a Bond film. Honestly, EON gave us stranger choices.

    Fair enough, although saying you dislike him in general but have no doubts he'll deliver the goods is more confusing than it is illuminating. :-?

    I didn't say I disliked him or his films. They're just not all my cup of tea. I actually rate him very highly as a director. Personal preference. I really liked Prisoners and always have done, and Enemy and Blade Runner 2049 are films I've enjoyed a lot on rewatches. I hope to enjoy Bond 26, and there's a good chance it'll be very good. If it's not to my preference then so be it.

    Think of it as the flip side of me saying I love Edgar Wright's earlier films, but am mixed on his later ones, and don't see anything about his work in general that would hint to me he'd be a good Bond director ;)

    In this case I'm saying I've been mixed on some of Villeneuve's films, but have really enjoyed certain ones, and believe there are aspects within them that imply to me he'd be a capable Bond director!
  • VenutiusVenutius Yorkshire
    edited 3:19pm Posts: 3,402
    LucknFate wrote: »
    Venutius wrote: »
    Indeed. Knight's 'same but different' is most likely to be achieved by remixing the existing elements - emphasising some, downplaying others - rather than trying to rewrite the 'formula', no?

    Considering nobody knows quite where the elements of the formula "end" for it to still be Bond, each new actors tenure rewrites a bit. Do you think CR rewrote the formula? It's undeniable to me.

    And again, nobody said they're throwing everything out, or rewriting a formula, I just said don't expect them to specifically pick any elements or model themselves after anything Eon did, because they just aren't Eon. This crowd is used to the same basic writers and producers mixing around, and to think you'll get more of that tone from an all new team is silly to me.
    Sorry, mate, no offence meant. I wasn't having a dig at anything you'd written, I was thinking about the list of Bond 'elements' that SecretAgentMan laid out and how Villeneuve and Knight could achieve 'same but different' by keeping those in there but putting more emphasis on some and less on others, depending on the story they want to tell and the shades of Bond's character that they want to bring out. But, yes, if Amazon are going to put their own stamp on it and distinguish their Bond from EON's, they may well do so from the off by making a sharp contrast, as CR did with DAD, rather than do it gradually over a few films.
  • Posts: 2,155
    007HallY wrote: »
    I can't imagine them completely throwing away things like the Bond theme or gunbarrel, or some of the distinct iconography/formula beats (the martinis, tuxedos, and even an M briefing or a Q scene etc).

    I agree. There are easy and simple things for them to keep to make the fandom happy. Gun barrel at the start, titles sequence, Bond theme, Bond in a tux etc.. Those kind of things you can keep in the movie and it wouldn't affect the plot at all.
  • Posts: 6,358
    fjdinardo wrote: »
    007HallY wrote: »
    I can't imagine them completely throwing away things like the Bond theme or gunbarrel, or some of the distinct iconography/formula beats (the martinis, tuxedos, and even an M briefing or a Q scene etc).

    I agree. There are easy and simple things for them to keep to make the fandom happy. Gun barrel at the start, titles sequence, Bond theme, Bond in a tux etc.. Those kind of things you can keep in the movie and it wouldn't affect the plot at all.

    I wouldn't necessarily want them to include those things simply to keep us happy, in fairness. CR shows these things can be rejigged slightly and give us a satisfying Bond movie. But I can't see them completely throwing them out.
  • edited 3:59pm Posts: 2,539
    Car, casino, and tuxedo..I think we can take that for granted. It's their first film, and it's also a reboot.
  • Posts: 6,358
    I suppose you could conceivably have a Bond film where there's no tuxedos, casinos, martinis, or cars, and it'd still work. LALD is an example. It'll have to bring out 'Bond' in other ways though.
  • Posts: 2,539
    007HallY wrote: »
    I suppose you could conceivably have a Bond film where there's no tuxedos, casinos, martinis, or cars, and it'd still work. LALD is an example. It'll have to bring out 'Bond' in other ways though.

    I actually think the opposite; maybe because it's going to be different in other ways, they need that to make it seem like Bond.
  • Posts: 6,358
    007HallY wrote: »
    I suppose you could conceivably have a Bond film where there's no tuxedos, casinos, martinis, or cars, and it'd still work. LALD is an example. It'll have to bring out 'Bond' in other ways though.

    I actually think the opposite; maybe because it's going to be different in other ways, they need that to make it seem like Bond.

    I don't know one way or the other. We'll see I suppose.
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