
0BradyM0Bondfanatic7 said:^
Nothing beats the original, and this is still the case, the only exception so far has been that the newer True Grit beats the classic True Grit.
thelivingroyale said:
0BradyM0Bondfanatic7 said:^
Nothing beats the original, and this is still the case, the only exception so far has been that the newer True Grit beats the classic True Grit.
Off topic, but it True Grit good? I've been meaning to see it.
Also, as much as I hate some films being remade, there's actually been a few times when the remake has been better. EG, newer Piranha beats classic Piranha.
0BradyM0Bondfanatic7 said:
thelivingroyale said:
0BradyM0Bondfanatic7 said:^
Nothing beats the original, and this is still the case, the only exception so far has been that the newer True Grit beats the classic True Grit.
Off topic, but it True Grit good? I've been meaning to see it.
Also, as much as I hate some films being remade, there's actually been a few times when the remake has been better. EG, newer Piranha beats classic Piranha.
Both are great, one John Wayne, another Jeff Bridges. The Bridges is superior, because it sticks to the Charles Portis novel it is based on, while the Wayne version takes too many liberties.
royale65 said:So, like the Wizard, I had a spare afternoon to myself and decided to watch Die Another Day. Which is very unusual for me; I tend to watch all the movies in a Bond-athon, every two/three years. So, why DAD? There are, after all, a plethora of Bond movies to choose from? To be honest I don’t really know; I wanted a light, fun entry, to be sure, plus @00Beast raised some very good points in his review, page 14, so DAD was my choice. (Blame him!)
Up until the Antonov climax, I really, really enjoyed it, well not the ice dragster bit, but anyway. During the Antonov climax…meh. (Have any of you seen James and the Giant Peach? When the ice dragster goes off the glacier, that’s what it reminds me of. Anyway, I digress). ((They just have well used a carrot, attached to a bit of string for that sequence!))
Where was I? Ah yes… It’s still rooted at No 20 in my rankings, but like Moonraker before it, it’s gone up in my expectations.
The Bad
• Corny dialogue “psychedelic light mask!”
• Zao is an appalling henchman. There have been weak henchman, Scarpine springs to mind, but not this bad, plus he’s in an awful lot of the movie.
• Bad CGI (CGI should not be in a Bond movie, period. Even if it’s done well)
• Bad puns
• Speed up editing. I think they called it speed ramping; stop it!
• Halle Berry degenerates into one of the most disappointing Bond girls.
• Invisible Cars
• The plot is circa 1971
The Good
• Berry starts up with an intriguing character.
• The Pikelet
• The first half an hour is up there with the best of the series, and the first half is up there with the rest of the Brosnan tenure,
• The production values
• The music. I know its techno driven, but it gives a certain chutzpah to the film. (I used to listen to “Hovercraft Chase” before 5-a-side football, at school, to get me in the mood).
• Bond going rouge in a novel fashion, trying to redeem himself.
• Main titles given us a glimpse of Bond torture.
• Raoul is a great little ally, and General Moon gives some presence to his character.
• The action is kick ass.
• Especially the sword fight, which isn’t ruined by some bud puns. Classic 007
• Sentimental scene with the Quartermaster.
• The scenes with Bond and M crackle with tension.
• Graves’ sneering villainy. Previously I’d have said this was a pastiche, a parody on Bond villainy, but as Graves’ comments Bond made a lasting impression on him, so really it was Moon/Graves imitation of Bond persona.
• The Moonraker novel provided inspiration for the screenplay.
• “I’m just here for the birds”. Love Brosnan’s delivery of this line. (I always used to say the dialogue between Jinx and Bond was a poor attempt of the flirtatious banter, a’la the 1960’s. But lets take it in context; Bond has just gotten out of prison, he’s desperate for some, um, female companionship, should we say. He implies his chats up lines were too strong, but Jinx says she could like it.
• Last, but not least, Pierce Brosnan, who at his fourth attempt, seemed to have nailed his performance. He’s got a swagger in this film; he seems much more comfortable in the role. I felt he had one more film in him, so it’s a shame to end his tenure of such a bad line; “Especially when you’re bad”. Oh Pierce…
Die Another Day has a great first half, and sub-par second half, symptomatic with the rest of Brosnan’s era. The first half of his movies had so much potential, but played it safe with loud bangs and not very good boner gags.
nobodydoesitbetter said:Maybe. If you reshoot about 75% of the film...
Dr_Metz said:I don't mind DAD. I liked the face morphing thing, the ice palace, and the PTS. The CGI was pretty bad, but at least it wasn't 90% CGI, like another film that came out that year *coughattackoftheclonescough*. It also has arguably Pierce Brosnan's best Bond performance as well. But, it also has the worst theme song from the original Bond series.
TheWizardOfIce said:8. John Cleese comes across as a decent Q and would prefer to see him back than have some young techno geek as we have in SF.
This right here is why Skyfall is probably going to not be good. They had the perfect replacement for Llewelyn with Cleese, and they just replace him with some dumb kid with a stupid face.
CraigMooreOHMSS said:
royale65 said:So, like the Wizard, I had a spare afternoon to myself and decided to watch Die Another Day. Which is very unusual for me; I tend to watch all the movies in a Bond-athon, every two/three years. So, why DAD? There are, after all, a plethora of Bond movies to choose from? To be honest I don’t really know; I wanted a light, fun entry, to be sure, plus @00Beast raised some very good points in his review, page 14, so DAD was my choice. (Blame him!)
Up until the Antonov climax, I really, really enjoyed it, well not the ice dragster bit, but anyway. During the Antonov climax…meh. (Have any of you seen James and the Giant Peach? When the ice dragster goes off the glacier, that’s what it reminds me of. Anyway, I digress). ((They just have well used a carrot, attached to a bit of string for that sequence!))
Where was I? Ah yes… It’s still rooted at No 20 in my rankings, but like Moonraker before it, it’s gone up in my expectations.
The Bad
• Corny dialogue “psychedelic light mask!”
• Zao is an appalling henchman. There have been weak henchman, Scarpine springs to mind, but not this bad, plus he’s in an awful lot of the movie.
• Bad CGI (CGI should not be in a Bond movie, period. Even if it’s done well)
• Bad puns
• Speed up editing. I think they called it speed ramping; stop it!
• Halle Berry degenerates into one of the most disappointing Bond girls.
• Invisible Cars
• The plot is circa 1971
The Good
• Berry starts up with an intriguing character.
• The Pikelet
• The first half an hour is up there with the best of the series, and the first half is up there with the rest of the Brosnan tenure,
• The production values
• The music. I know its techno driven, but it gives a certain chutzpah to the film. (I used to listen to “Hovercraft Chase” before 5-a-side football, at school, to get me in the mood).
• Bond going rouge in a novel fashion, trying to redeem himself.
• Main titles given us a glimpse of Bond torture.
• Raoul is a great little ally, and General Moon gives some presence to his character.
• The action is kick ass.
• Especially the sword fight, which isn’t ruined by some bud puns. Classic 007
• Sentimental scene with the Quartermaster.
• The scenes with Bond and M crackle with tension.
• Graves’ sneering villainy. Previously I’d have said this was a pastiche, a parody on Bond villainy, but as Graves’ comments Bond made a lasting impression on him, so really it was Moon/Graves imitation of Bond persona.
• The Moonraker novel provided inspiration for the screenplay.
• “I’m just here for the birds”. Love Brosnan’s delivery of this line. (I always used to say the dialogue between Jinx and Bond was a poor attempt of the flirtatious banter, a’la the 1960’s. But lets take it in context; Bond has just gotten out of prison, he’s desperate for some, um, female companionship, should we say. He implies his chats up lines were too strong, but Jinx says she could like it.
• Last, but not least, Pierce Brosnan, who at his fourth attempt, seemed to have nailed his performance. He’s got a swagger in this film; he seems much more comfortable in the role. I felt he had one more film in him, so it’s a shame to end his tenure of such a bad line; “Especially when you’re bad”. Oh Pierce…
Die Another Day has a great first half, and sub-par second half, symptomatic with the rest of Brosnan’s era. The first half of his movies had so much potential, but played it safe with loud bangs and not very good boner gags.
I agree with almost everything you've said. Although I did quite like one use of the sped up editing effect - the sequence where Bond drives towards the Ice Palace for the first time. I thought that was quite cool, but it was overused throughout the rest of the film. Even John Woo doesn't use it as much as Tamahori did in Die Another Day. The CGI was ridiculous. You could cut out that entire cliff/tsunami sequence and it wouldn't make a blind bit of difference to the plot. In fact, it helps the pacing very much!
4EverBonded said:
CraigMooreOHMSS said:
royale65 said:So, like the Wizard, I had a spare afternoon to myself and decided to watch Die Another Day. Which is very unusual for me; I tend to watch all the movies in a Bond-athon, every two/three years. So, why DAD? There are, after all, a plethora of Bond movies to choose from? To be honest I don’t really know; I wanted a light, fun entry, to be sure, plus @00Beast raised some very good points in his review, page 14, so DAD was my choice. (Blame him!)
Up until the Antonov climax, I really, really enjoyed it, well not the ice dragster bit, but anyway. During the Antonov climax…meh. (Have any of you seen James and the Giant Peach? When the ice dragster goes off the glacier, that’s what it reminds me of. Anyway, I digress). ((They just have well used a carrot, attached to a bit of string for that sequence!))
Where was I? Ah yes… It’s still rooted at No 20 in my rankings, but like Moonraker before it, it’s gone up in my expectations.
The Bad
• Corny dialogue “psychedelic light mask!”
• Zao is an appalling henchman. There have been weak henchman, Scarpine springs to mind, but not this bad, plus he’s in an awful lot of the movie.
• Bad CGI (CGI should not be in a Bond movie, period. Even if it’s done well)
• Bad puns
• Speed up editing. I think they called it speed ramping; stop it!
• Halle Berry degenerates into one of the most disappointing Bond girls.
• Invisible Cars
• The plot is circa 1971
The Good
• Berry starts up with an intriguing character.
• The Pikelet
• The first half an hour is up there with the best of the series, and the first half is up there with the rest of the Brosnan tenure,
• The production values
• The music. I know its techno driven, but it gives a certain chutzpah to the film. (I used to listen to “Hovercraft Chase” before 5-a-side football, at school, to get me in the mood).
• Bond going rouge in a novel fashion, trying to redeem himself.
• Main titles given us a glimpse of Bond torture.
• Raoul is a great little ally, and General Moon gives some presence to his character.
• The action is kick ass.
• Especially the sword fight, which isn’t ruined by some bud puns. Classic 007
• Sentimental scene with the Quartermaster.
• The scenes with Bond and M crackle with tension.
• Graves’ sneering villainy. Previously I’d have said this was a pastiche, a parody on Bond villainy, but as Graves’ comments Bond made a lasting impression on him, so really it was Moon/Graves imitation of Bond persona.
• The Moonraker novel provided inspiration for the screenplay.
• “I’m just here for the birds”. Love Brosnan’s delivery of this line. (I always used to say the dialogue between Jinx and Bond was a poor attempt of the flirtatious banter, a’la the 1960’s. But lets take it in context; Bond has just gotten out of prison, he’s desperate for some, um, female companionship, should we say. He implies his chats up lines were too strong, but Jinx says she could like it.
• Last, but not least, Pierce Brosnan, who at his fourth attempt, seemed to have nailed his performance. He’s got a swagger in this film; he seems much more comfortable in the role. I felt he had one more film in him, so it’s a shame to end his tenure of such a bad line; “Especially when you’re bad”. Oh Pierce…
Die Another Day has a great first half, and sub-par second half, symptomatic with the rest of Brosnan’s era. The first half of his movies had so much potential, but played it safe with loud bangs and not very good boner gags.
I agree with almost everything you've said. Although I did quite like one use of the sped up editing effect - the sequence where Bond drives towards the Ice Palace for the first time. I thought that was quite cool, but it was overused throughout the rest of the film. Even John Woo doesn't use it as much as Tamahori did in Die Another Day. The CGI was ridiculous. You could cut out that entire cliff/tsunami sequence and it wouldn't make a blind bit of difference to the plot. In fact, it helps the pacing very much!
And I agree with most of what you both have said. I watched DAD about 4 days ago. Really good opening, still loved the swordfight. So much of it is promising or really good, but the bad parts are pretty negative (which tends to blot out the good in remembering it). I especially want to say that Brosnan was very good in this film. So a big yes to this comment by Royale65 : Pierce Brosnan, who at his fourth attempt, seemed to have nailed his performance. He’s got a swagger in this film; he seems much more comfortable in the role. I so wish DAD had fulfilled its promise and that Pierce had done one more Bond film.
DRush76 said:The only two things about DAD that I dislike are the Iceland sequence, which seemed like a rip-off of the sci-fi fantasy crap that marred such movies like "GF" and "TMWTGG"; and the lack of intelligence in the Miranda Frost character. I wonder how Rosamund Pike felt about the dumb decisions that Miranda made.
Nothing beats the original, and this is still the case, the only exception so far has been that the newer True Grit beats the classic True Grit.
I found nothing exceptional about Ursula Andress' first appearance in DR. NO. I can say the same about Halle Berry's first appearance in DIE ANOTHER DAY. But at least Berry had a character that did more than be the damsel-in-distress.
Murdock said:
00Beast said:A question for curiosity- Does anyone actually have Die Another Day higher in their rankings, as in not anywhere below #16 or so? I for one have it at #15, and I'm quite proud of it too.
It's in my top 10.
TheWizardOfIce said:
Murdock said:
00Beast said:A question for curiosity- Does anyone actually have Die Another Day higher in their rankings, as in not anywhere below #16 or so? I for one have it at #15, and I'm quite proud of it too.
It's in my top 10.
Christ - theres a reason hes called Murdock!
Is there anyone out there willing to go even higher than Howling Mad's ranking of DAD in the top 10?
Wheres old ChanandlerBong when you need him?
BAIN123 said:
TheWizardOfIce said:
Murdock said:
00Beast said:A question for curiosity- Does anyone actually have Die Another Day higher in their rankings, as in not anywhere below #16 or so? I for one have it at #15, and I'm quite proud of it too.
It's in my top 10.
Christ - theres a reason hes called Murdock!
Is there anyone out there willing to go even higher than Howling Mad's ranking of DAD in the top 10?
Wheres old ChanandlerBong when you need him?
Was he the urban legend who had it as his favourite Bond film?
0BradyM0Bondfanatic7 said:
DRush76 said:The only two things about DAD that I dislike are the Iceland sequence, which seemed like a rip-off of the sci-fi fantasy crap that marred such movies like "GF" and "TMWTGG"; and the lack of intelligence in the Miranda Frost character. I wonder how Rosamund Pike felt about the dumb decisions that Miranda made.
Nothing beats the original, and this is still the case, the only exception so far has been that the newer True Grit beats the classic True Grit.
I found nothing exceptional about Ursula Andress' first appearance in DR. NO. I can say the same about Halle Berry's first appearance in DIE ANOTHER DAY. But at least Berry had a character that did more than be the damsel-in-distress.
I'm sorry, but Honey wasn't ever in distress until the end. She was a tough cookie and could defend herself damn fine. Jinx on the other hand jinxed (PUN INTENDED) everything she touched and had to be saved more times than Ursula, and put Bond in danger while he tried to save her hide more than once. AND SHE WASN'T EVEN WORTH SAVING!
TheWizardOfIce said:
Murdock said:
00Beast said:A question for curiosity- Does anyone actually have Die Another Day higher in their rankings, as in not anywhere below #16 or so? I for one have it at #15, and I'm quite proud of it too.
It's in my top 10.
Christ - theres a reason hes called Murdock!
Is there anyone out there willing to go even higher than Howling Mad's ranking of DAD in the top 10?
Wheres old ChanandlerBong when you need him?
TheWizardOfIce said:Christ - theres a reason hes called Murdock!
Is there anyone out there willing to go even higher than Howling Mad's ranking of DAD in the top 10?
Murdock said:
TheWizardOfIce said:Christ - theres a reason hes called Murdock!
Is there anyone out there willing to go even higher than Howling Mad's ranking of DAD in the top 10?
Actually Wizard, I'm called Murdock because of a story I wrote about a character named Bruce Murdock.
Anyway, You'll really think I'm howling mad when you see my top 10.
1. GoldenEye.
2. Casino Royale.
3. Quantum of Solace.
4. Tomorrow Never Dies
5. The World is Not Enough
6. Die Another Day.
7. You Only Live Twice.
8. The Spy Who Loved Me.
9. Moonraker.
10. Octopussy.
@00Beast, It's quite alright. :)
Murdock said:
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