SirHenryLeeChaChing said:I really hate remakes for the most part. Too often they are inferior to the original (see NSNA)
I really have to wonder if all these remakes are a result of how bad Hollywood has gotten as far as original scripts and lack of creativity. I need to write a screenplay if this is the case and get really rich.
0BradyM0Bondfanatic7 said:
SirHenryLeeChaChing said:I really hate remakes for the most part. Too often they are inferior to the original (see NSNA)
I really have to wonder if all these remakes are a result of how bad Hollywood has gotten as far as original scripts and lack of creativity. I need to write a screenplay if this is the case and get really rich.
I think Hollywood know what people like, and then they just profit off that idea over and over and over, knowing they will get money no matter what. Sadly, today guaranteed money and lack of risk is favored over going out on a limb for an innovative screenplay or idea.
DarthDimi said:A remake which is vastly superior over the original?
Okay, here goes:
* Kaufman's Invasion Of The Body Snatchers (1978) (versus Siegel's already impressive film from the 50s)
* Carpenter's The Thing (1982) (versus the 50s The Thing From Another World)
* HEAT (1995) (as it is technically a remake of the TV movie L.A. Takedown)
* Wyler's Ben-Hur (1959) (as opposed to no less than two previous films)
* The Time Machine (2002) (I will get knocked down for this but I actually prefer this film over the 1960's version)
* Appleseed (2004) (versus the 1988 OVA)
SirHenryLeeChaChing said:
DarthDimi said:A remake which is vastly superior over the original?
Okay, here goes:
* Kaufman's Invasion Of The Body Snatchers (1978) (versus Siegel's already impressive film from the 50s)
* Carpenter's The Thing (1982) (versus the 50s The Thing From Another World)
* HEAT (1995) (as it is technically a remake of the TV movie L.A. Takedown)
* Wyler's Ben-Hur (1959) (as opposed to no less than two previous films)
* The Time Machine (2002) (I will get knocked down for this but I actually prefer this film over the 1960's version)
* Appleseed (2004) (versus the 1988 OVA)
Ben-Hur 1959 is a classic. I think it may still hold the record for Oscars. It should never be remade again IMHO.
0BradyM0Bondfanatic7 said:It isn't really that remakes SHOULDN'T happen, but there has to be a cast and crew involved ready to reinvent and try something new for the film, and not just to cash in the name of the film.
myworldisenough said:I'm not the greatest fan of remakes if they're simply used to cash in on the original & more often than not they are not as good as the original and can tarnish the good name of a classic. That said they have been some good remakes. My preference would be for film studios to be brave enough to move away from remakes and make original quality movies. That have the fun not knowing how a story will end when watching at the movie theatre.
TopGearJB007 said:The original Gone in 60 Seconds is a classic, and the remake starring Cage is a steaming pile of CGI Car jumping crap.
Both Italian Jobs are classics.
Never EVER remake Bullitt or Dirty Harry.
TopGearJB007 said:The original Gone in 60 Seconds is a classic, and the remake starring Cage is a steaming pile of CGI Car jumping crap.
Both Italian Jobs are classics.
Never EVER remake Bullitt or Dirty Harry.
St_George said:Given the good number of excellent remakes there's been, I see no reason why anything should be off the table, to be fair. Certainly in theory. Why should there be?
After all, how many times have great stories, novels and plays been filmed? And, in all fairness, the two examples of 'untouchable' movies in the OP (Gone With The Wind and The Wizard Of Oz) weren't 'original' themselves, they were adaptations of novels. Why shouldn't someone be allowed a crack at them again one day to try them in a different way? Just the reason 'because they're so good they should be off the table' isn't really strong enough when you consider how many great stories have been fully or partly adapted over the centuries in so many different art forms.
Meh, that's my two cents - art's an organic engine, if you will; you can't stop its giant wheel turning... ;)
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