JBFan626 said:I always felt the inclusion of two gay assassins in DAF was pretty progressive for a film made in 1971. I don't see any deeper subtext there that would suggest the film-makers were trying to put down the gay community by having them be the villains. If anything, Kidd and Wint being in the film was 'edgy', and after all their characters were humorously likeable.
Tom Mankiewicz who wrote both DAF and LALD, commented that having black characters as the villains was 'edgy' back in 1973. Like Kidd and Wint, the black villains are also highly entertaining and memorable (Baron Samedi, Tee Hee, and Kananga). So as I said, I don't think Bond films and their film-makers should be over-analyzed for subtext, but should be recognized for making bold choices. Ursula Andress coming out the water in a two-piece was risque for the time, so were two gay assassins, albeit in a different way, but still nonetheless, it shows that EON was willing to take risks.
4EverBonded said:Couldn't the same be said of other actors in the past, too? Notably Cary Grant and also perhaps David Niven.
Getafix said:
4EverBonded said:Couldn't the same be said of other actors in the past, too? Notably Cary Grant and also perhaps David Niven.
Definitely. A surprising number of the old screen legends were actually gay as well.
Getafix said:
To be honest though, the homoerotic subtext of Bond and his entire world extends way beyond these two characters. Bond's own misogyny, combined with his love of fine tailoring, dining and seemingly obsessive concern for his appearance could arguably make him an archetype of a certain metropolitan gay stereotype. I suspect the DC depiction has, if anything, taken him even further along this route.
Rossi said:Thank you all for the discussion. It's been very interesting to read your opinions. I just want to say that Diamonds Are Forever has other gay connotations than Mr. Wint and Mr. Kidd's profile. There is a new Blofeld interpretation by Charles Gray, that makes him a kind of effeminate in my humble opinion. The way he strokes the cat, his voice and manners, the scene in which he's in drag... Bambi and Thumper always looked like lesbians to me. And that Opening Titles song. "Touch it, stroke it and undressed it". I don't see how all of this can be a coincidence. There are 20+ other films in the franchise and all this "queer" stuff is converged into a single film. It's just weird. Or am I just over-analyzing?
Getafix said:
4EverBonded said:Couldn't the same be said of other actors in the past, too? Notably Cary Grant and also perhaps David Niven.
Definitely. A surprising number of the old screen legends were actually gay as well.

Rossi said:There is a new Blofeld interpretation by Charles Gray, that makes him a kind of effeminate in my humble opinion. The way he strokes the cat, his voice and manners, the scene in which he's in drag...
Signed_By_RogerMoore said:I love Diamonds Are Forever. Camp, homosexual, straight or whatever
Getafix said:Or to pretend there isn't something a teensy weensy bit gay about grown men gathering together on a forum to discuss their fictional male hero...
Master_Dahark said:
Getafix said:
4EverBonded said:Couldn't the same be said of other actors in the past, too? Notably Cary Grant and also perhaps David Niven.
Definitely. A surprising number of the old screen legends were actually gay as well.
'And I can't believe Liberace was gay! I mean women loved him! I didn't see that one coming, no....'
GoldenShadow said:The diamonds hidden in the alimentary canal of a male corpse. (how did they get there?)
Getafix said:I think it's difficult to see the Kidd and Wint characters as anything other than deeply homophobic, but then I suspect Fleming's views were hardly progressive on this issue. It's certainly a 'reflection of the times' and dates the films badly.
To be honest though, the homoerotic subtext of Bond and his entire world extends way beyond these two characters. Bond's own misogyny, combined with his love of fine tailoring, dining and seemingly obsessive concern for his appearance could arguably make him an archetype of a certain metropolitan gay stereotype. I suspect the DC depiction has, if anything, taken him even further along this route.
And the fact he has so many adoring male fans, who'd like to 'be' him, adds to the frankly homosexual aura that surrounds the character. For evidence, witness the countless highly amusing exchanges in these forums about chest hair, hairstyles and how great so and so looks in his new suit...
OHMSS69 said:I never cared for DAF. Hated the film. Hated the camp and all the juvenile silliness.
RogueThunderball said:
OHMSS69 said:I never cared for DAF. Hated the film. Hated the camp and all the juvenile silliness.
My thoughts exactly.
JBFan626 said:I always felt the inclusion of two gay assassins in DAF was pretty progressive for a film made in 1971. I don't see any deeper subtext there that would suggest the film-makers were trying to put down the gay community by having them be the villains. If anything, Kidd and Wint being in the film was 'edgy', and after all their characters were humorously likeable.
So as I said, I don't think Bond films and their film-makers should be over-analyzed for subtext, but should be recognized for making bold choices. Ursula Andress coming out the water in a two-piece was risque for the time, so were two gay assassins, albeit in a different way, but still nonetheless, it shows that EON was willing to take risks.

JBFan626 said:
My point above however, is reading into the films this way is too overanalytical, when the films never present themselves to be anything more than escapist entertainment. Even saying Kidd and Wint's presence in DAF is 'deeply homophobic' is a projection; not what is presented in the film, or even what the film-makers intended. I doubt many in 1971 saw it as an offense.
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