Bounine said:
Samuel001 said:
Bounine said:So, Higson won't be writing the next series of Young Bond books. What a shame. Still, I'm glad IFP have plans to keep it going. I hope Bond won't still be13 though. We need a Bond in his early twenties in wartime. Unfortunately I'm starting to lose confidence in authors writing Bond due to the disappointing DMC and CB.
They should wait for Higson. If he goes back to Bond after his current series is done, the next novel would be out 2015. IFP have waited this long, why not wait the extra three years?
I'm now undecided if I'm even going to read them. Higson even knew what the next set of books would be about! (A trilogy set at Fettes). X(
Hmmm, 2015. That's quite a while away. I'm not sure about waiting that long but I might be thinking it would have been a good idea if this new author doesn't do a good job.
People should atleast try reading the first one and if they don't like it, then don't touch them.
I'm still excited about a new young Bond series and an adult Bond yarn but to a lesser extent than I would have been a few years ago. I still feel greater enthusiasm for a new Bond book though than I do a new Bond film.
MajorDSmythe said:I don't know, in that interview that marketto posted, i'm getting a greater sense of enthusiam from Boyd than I did from Faulks & Deaver. Boyd comes accross as a genuine fan of Flemings books.
Chuck said:
MajorDSmythe said:I don't know, in that interview that marketto posted, i'm getting a greater sense of enthusiam from Boyd than I did from Faulks & Deaver. Boyd comes accross as a genuine fan of Flemings books.
I noticed that as well. I very much got the sense that Boyd seems genuinely excited about being approached and ultimately offered the job of writing the next Bond novel, which is certainly something that never came across in any of Faulks' comments, although it may have been present, but to a lesser degree, in remarks made by Deaver, or at least the ones I recall coming across during the lead-up to CB.
I still wish that they would maintain some sense of continuity in terms of the timeframe in which the novels take place, but I'm at least encouraged by the prospect that Boyd is being allowed to write his novel rather than having to mimic Ian Fleming or even having to write "as Ian Fleming" like Faulks did.
MajorDSmythe said:
I'd also like for them to hire someone to write a number of books like Gardner or Benson, rather than one-offs.
Bentley said:Fellow Agents,
The problem with the literary Bond lies squarely with the Fleming estate.
There are authors that could deliver; Charles Cumming, Daniel Silva or Charlie Higson to name but three but a series is not commissioned because their desire is for a quick shilling and consequently they go for the one off "coup". Faulks is a big literary figure and despite the fact that DMC dissipated into dross after sixty pages it went on to be Penguins biggest seller of the year. The next "coup" from Deaver was so bad it should have been consigned to the read and laugh file but CB went on to sell well albeit, not as well as DMC and they are now working with the law of diminishing returns.
For one of the twentieth centurie's greatest literary creations to be mismanaged in this way defies common logic and as a life long fan, it makes my blood boil.
The thriller genre is highly competitive, much more so than in Fleming's day and the estate should get a Managing Director who understands and loves Bond and who is capable of developing one of the world's biggest brands in a frenetic environment.
The missed opportunities are legion. The failure to sell the film rights for Higson's fabulous 'Young Bond' novels to eon, the hopscotch between time zones, the changing of publishers, the failure to retain Higson, cover art that fails to communicate any class (the last good dust jacket was Cape's first UK edition of "Role Of Honor"), the belated, hap hazard e-book plan. The catalogue of disasters is never ending and point to a complete lack of any coherent strategy.
Bond deserves better than this. He needs more than a fabulous mission from William Boyd. He needs a coherent career plan and the Fleming estate need a new M!
Regards,
Bentley.
Bentley said:Fellow Agents,
The problem with the literary Bond lies squarely with the Fleming estate.
There are authors that could deliver; Charles Cumming, Daniel Silva or Charlie Higson to name but three but a series is not commissioned because their desire is for a quick shilling and consequently they go for the one off "coup". Faulks is a big literary figure and despite the fact that DMC dissipated into dross after sixty pages it went on to be Penguins biggest seller of the year. The next "coup" from Deaver was so bad it should have been consigned to the read and laugh file but CB went on to sell well albeit, not as well as DMC and they are now working with the law of diminishing returns.
For one of the twentieth centurie's greatest literary creations to be mismanaged in this way defies common logic and as a life long fan, it makes my blood boil.
The thriller genre is highly competitive, much more so than in Fleming's day and the estate should get a Managing Director who understands and loves Bond and who is capable of developing one of the world's biggest brands in a frenetic environment.
The missed opportunities are legion. The failure to sell the film rights for Higson's fabulous 'Young Bond' novels to eon, the hopscotch between time zones, the changing of publishers, the failure to retain Higson, cover art that fails to communicate any class (the last good dust jacket was Cape's first UK edition of "Role Of Honor"), the belated, hap hazard e-book plan. The catalogue of disasters is never ending and point to a complete lack of any coherent strategy.
Bond deserves better than this. He needs more than a fabulous mission from William Boyd. He needs a coherent career plan and the Fleming estate need a new M!
Regards,
Bentley.
MajorDSmythe said:I don't know, in that interview that marketto posted, i'm getting a greater sense of enthusiam from Boyd than I did from Faulks & Deaver. Boyd comes accross as a genuine fan of Flemings books.
0BradyM0Bondfanatic7 said:
Bentley said:Fellow Agents,
The problem with the literary Bond lies squarely with the Fleming estate.
There are authors that could deliver; Charles Cumming, Daniel Silva or Charlie Higson to name but three but a series is not commissioned because their desire is for a quick shilling and consequently they go for the one off "coup". Faulks is a big literary figure and despite the fact that DMC dissipated into dross after sixty pages it went on to be Penguins biggest seller of the year. The next "coup" from Deaver was so bad it should have been consigned to the read and laugh file but CB went on to sell well albeit, not as well as DMC and they are now working with the law of diminishing returns.
For one of the twentieth centurie's greatest literary creations to be mismanaged in this way defies common logic and as a life long fan, it makes my blood boil.
The thriller genre is highly competitive, much more so than in Fleming's day and the estate should get a Managing Director who understands and loves Bond and who is capable of developing one of the world's biggest brands in a frenetic environment.
The missed opportunities are legion. The failure to sell the film rights for Higson's fabulous 'Young Bond' novels to eon, the hopscotch between time zones, the changing of publishers, the failure to retain Higson, cover art that fails to communicate any class (the last good dust jacket was Cape's first UK edition of "Role Of Honor"), the belated, hap hazard e-book plan. The catalogue of disasters is never ending and point to a complete lack of any coherent strategy.
Bond deserves better than this. He needs more than a fabulous mission from William Boyd. He needs a coherent career plan and the Fleming estate need a new M!
Regards,
Bentley.
Well, tell us what you really think...
Samuel001 said:The new book will be out 26th September, is 432 pages long and will cost £16.14
https://www.amazon.co.uk/dp/0224097474/ref=as_li_ss_til?tag=theyoungbondd-21&camp=2902&creative=19466&linkCode=as4&creativeASIN=0224097474&adid=0BKE2Q8EBHVKSQJAAYPE&
Bentley said:
0BradyM0Bondfanatic7 said:
Bentley said:Fellow Agents,
The problem with the literary Bond lies squarely with the Fleming estate.
There are authors that could deliver; Charles Cumming, Daniel Silva or Charlie Higson to name but three but a series is not commissioned because their desire is for a quick shilling and consequently they go for the one off "coup". Faulks is a big literary figure and despite the fact that DMC dissipated into dross after sixty pages it went on to be Penguins biggest seller of the year. The next "coup" from Deaver was so bad it should have been consigned to the read and laugh file but CB went on to sell well albeit, not as well as DMC and they are now working with the law of diminishing returns.
For one of the twentieth centurie's greatest literary creations to be mismanaged in this way defies common logic and as a life long fan, it makes my blood boil.
The thriller genre is highly competitive, much more so than in Fleming's day and the estate should get a Managing Director who understands and loves Bond and who is capable of developing one of the world's biggest brands in a frenetic environment.
The missed opportunities are legion. The failure to sell the film rights for Higson's fabulous 'Young Bond' novels to eon, the hopscotch between time zones, the changing of publishers, the failure to retain Higson, cover art that fails to communicate any class (the last good dust jacket was Cape's first UK edition of "Role Of Honor"), the belated, hap hazard e-book plan. The catalogue of disasters is never ending and point to a complete lack of any coherent strategy.
Bond deserves better than this. He needs more than a fabulous mission from William Boyd. He needs a coherent career plan and the Fleming estate need a new M!
Regards,
Bentley.
Well, tell us what you really think...
Villiers53 said:
MOONRAKER79 said:I like the idea of the new book being set around the tail end of the 60's, it's an ideal period for Bond. I really enjoyed the early Gardner novels, but wasn't really taken with the later books. I have Carte Blanche on my shelves, however I am still yet to read it, I have heard mixed opinion on this one, some like it, others not so much. I will eventually get around to reading it one day soon. if this new book is successful, here's hoping that we may get a series of novels with some level of continuity. The idea of Bond being active throughout the 1970s has never been explored, unless of course you count Christopher Wood's adaptions of the 'The Spy Who Loved Me' & 'Moonraker' screenplays.
TopGearJB007 said:Continuity in the Bond novels is dead. That blows. :-q
Samuel001 said:The new book will be out 26th September, is 432 pages long and will cost £16.14
https://www.amazon.co.uk/dp/0224097474/ref=as_li_ss_til?tag=theyoungbondd-21&camp=2902&creative=19466&linkCode=as4&creativeASIN=0224097474&adid=0BKE2Q8EBHVKSQJAAYPE&
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